The Radio Essential Series

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Situation
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) and Eric Radcliffe (UK producer / engineer / musician)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
remixer:
François Kevorkian
phonographic copyright (℗) by:
Sire Records (in 1982)
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Alison Moyet
Yaz3.355:44
2Oh Well
Oh Well3:49
3The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex3:56
4Come Go With Me
background vocals:
Carmen Bruno (IT | Carmen Gioia Bruno, Exposé member), Ann Curless and Jeanette Jurado
lead vocals:
Jeanette Jurado
recording of:
Come Go With Me
lyricist and composer:
Lewis A. Martineé
Exposé4:11
5Pump Up the Volume
engineer:
John Fryer (British producer and engineer)
producer:
Martyn Young
guitar:
A.R. Kane (British dreampop duo)
sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell and C.J. Mackintosh
recording of:
Pump Up the Volume
composer:
Martyn Young and Steven Young (UK musician, member of Colourbox & MARRS)
part of:
American Psycho
M|A|R|R|S3.84:05
6Rockin’ at Midnight
The Honeydrippers5:55
7Home for a Rest
Spirit of the West4:33
8You’re the One That I Want
engineer and mixer:
David J. Holman
producer:
John Farrar
electric bass guitar:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
karaoke version of:
You’re the One That I Want (sing‐a‐long version) by John Farrar
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
lyricist and composer:
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
Grease (1978 film)
Olivia Newton-John & John Travolta42:47
9Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
10Oh SheilaReady for the World43:59
11Rasputin
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1978)
recording of:
Rasputin
lyricist and composer:
Frank Farian, Fred Jay and George Reyam
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.44:25
12Shake It Up
assistant engineer:
Thom Moore (Syncro Sound engineer, Gang Green producer) and Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recorded at:
Syncro Sound in Boston, Massachusetts, United States
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:32
13I Want Your Sex
George Michael4:41
14Bizarre Love Triangle
engineer:
Michael Johnson (UK recording engineer and producer) and Steve Peck (producer and engineer)
producer:
New Order (UK synth pop band)
editor:
Latin Rascals and Shep Pettibone
remixer:
Shep Pettibone
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987) and Warner Music UK Ltd. (not for release label use!) (in 1986)
remixed for:
Mastermix Productions
recorded at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom and Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
remix of:
Bizarre Love Triangle by New Order (UK synth pop band)
recording of:
Bizarre Love Triangle
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Ltd. (1996–2019)
New Order1.56:40
15Just Can’t Get Enough
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
producer:
Depeche Mode and Daniel Miller (British music producer and founder of Mute Records)
lead vocals:
Dave Gahan (in 1981-07)
phonographic copyright (℗) by:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) and Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
recorded at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 66) and Indie 88: Top 500 Indie Rock Songs (number: 460)
recording of:
Just Can’t Get Enough
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.253:35
16Just Like Heaven
recording of:
Just Like Heaven
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co.
The Cure3:30
17Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
phonographic copyright (℗) by:
BMG Entertainment (in 1981) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Daryl Hall & John Oates4.553:24
18I’m Too Sexy
programming and producer:
Tommy D.
engineer:
Graham Bonnett (Sound Engineer)
bass guitar:
Phil Spalding
guitar:
Robert Manzoli
lead vocals:
Richard Fairbrass
arranger:
Tommy D.
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom
mixed at:
Joe's Garage (Bristol) in Bristol, England, United Kingdom and Red Bus Studios in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 475)
recording of:
I’m Too Sexy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:50
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