The Jazz Station

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

5 Jewel Cases in a cardboard slipcase. Individual cat#s: DIBCD001, DIBCD002, DIBCD003, DIBCD004, DIBCD005

Annotation last modified on 2025-07-12 20:02 UTC.

Tracklist

1▼CD: The Jazz Station, Volume 1
#TitleArtistRatingLength
1Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald feat. Louis Armstrong4.155:53
2A Fine Romance
clarinet:
Irving Fazola (on 1936-09-29)
double bass:
Artie Bernstein (on 1936-09-29)
drums (drum set):
Cozy Cole (on 1936-09-29)
guitar:
Dick McDonough (on 1936-09-29)
piano:
Clyde Hart (on 1936-09-29)
trumpet:
Bunny Berigan (on 1936-09-29)
vocals:
Billie Holiday (on 1936-09-29)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-09-29)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Billie Holiday2:51
3Jeepers Creepers
performer:
Count Basie and His Orchestra
cover recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Tony Bennett feat. Count Basie & His Orchestra2:06
4Nancy (with the Laughing Face)
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-08-22)
bass:
Jack Ryan (jazz bassist) (on 1945-08-22)
cello:
Cy Bernard (on 1945-08-22), Arthur Kafton (on 1945-08-22) and Jack Sewell (on 1945-08-22)
drums (drum set):
Ray Hagan (on 1945-08-22)
French horn:
James Stagliano (on 1945-08-22)
guitar:
Perry Botkin (on 1945-08-22)
harp:
Ann Mason Stockton (American harpist) (on 1945-08-22)
piano:
Frank Leithner (on 1945-08-22)
trombone:
Peter Beilman (trombonist) (on 1945-08-22), Carl Loeffler (on 1945-08-22) and Elmer Smithers (on 1945-08-22)
trumpet:
Bruce Hudson (on 1945-08-22), Leonard Mach (on 1945-08-22) and Uan Rasey (on 1945-08-22)
viola:
Allan Harshman (violist) (on 1945-08-22), Maurice Perlmutter (on 1945-08-22) and Dave Sterkin (on 1945-08-22)
violin:
William Bloom (violinist, worked with Frank Sinatra) (on 1945-08-22), Walter Edelstein (on 1945-08-22), Peter Ellis (1940s violinist) (on 1945-08-22), Sam Freed, Jr. (Violinist) (on 1945-08-22), David Frisina (on 1945-08-22), Howard Halbert (on 1945-08-22), Gerald Joyce (on 1945-08-22), Sol Kindler (on 1945-08-22), Samuel Levine (violinist) (on 1945-08-22), Anthony Perrotti (on 1945-08-22), Nicholas Pisani (on 1945-08-22) and Mischa Russell (violinist) (on 1945-08-22)
woodwind:
Heinie Beau (on 1945-08-22), Leonard Hartman (on 1945-08-22), Harold Lawson (on 1945-08-22), Don Lodice (on 1945-08-22) and Fred Stulce (on 1945-08-22)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-08-22)
conductor:
Axel Stordahl (on 1945-08-22)
arranger:
Axel Stordahl
recording of:
Nancy (With the Laughing Face) (on 1945-08-22)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Nancy
writer:
Phil Silvers (actor) and Jimmy Van Heusen
publisher:
Barton Music Corp.
Frank Sinatra2.653:24
5Nature Boy
producer:
Lee Gillette
vocals:
Nat King Cole (on 1961-03-27)
orchestra:
The Ralph Carmichael Orchestra and Chorus (on 1961-03-27)
conductor:
Ralph Carmichael (on 1961-03-27)
recording of:
Nature Boy (on 1961-03-27)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:53
6Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore (on 1940-05-04)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Duke Ellington & His Orchestra3:19
7Do You Know What It Means to Miss New Orleans
performer:
Billie Holiday
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
Louis Armstrong feat. Billie Holiday6:33
8Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Peggy Lee2:15
9My Man
Billie Holiday3:03
10Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Louis Armstrong42:30
11Stranger on the Shore
phonographic copyright (℗) by:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) and K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:50
12The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
Astrud Gilberto3:17
13Minnie the Moocher
recording of:
Minnie the Moocher
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Cab Calloway3:12
14What a Diff’rence a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:29
15I Want a Little Sugar in My Bowl
phonographic copyright (℗) by:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:27
16And the Angels Sing
recording of:
And the Angels Sing
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd. and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman3:13
17The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Lena Horne2:16
18Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:22
19A Nightingale Sang in Berkeley Square
recording of:
A Nightingale Sang in Berkeley Square (for band, Fernie)
composer:
Manning Sherwin
instruments arranger:
Alan Fernie (arranger, composer, adjudicator, conductor)
arrangement of:
A Nightingale Sang in Berkeley Square
Glenn Miller3:37
20You Stepped Out of a Dream
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
Sarah Vaughan2:16
21Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (in 1957, on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald (American jazz singer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald feat. Louis Armstrong3.654:10
2▶CD: The Jazz Station, Volume 2
3▶CD: The Jazz Station, Volume 3
4▶CD: The Jazz Station, Volume 4
5▶CD: The Jazz Station, Volume 5