The Jazz Station

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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5 Jewel Cases in a cardboard slipcase. Individual cat#s: DIBCD001, DIBCD002, DIBCD003, DIBCD004, DIBCD005

Anmerkung zuletzt geändert am 2025-07-12 20:02 UTC.

Titelliste

1▼CD: The Jazz Station, Volume 1
Nr.TitelKünstlerBewertungLänge
1Cheek to Cheek
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald feat. Louis Armstrong4.155:53
2A Fine Romance
Gitarre:
Dick McDonough (am 1936-09-29)
Klarinette:
Irving Fazola (am 1936-09-29)
Klavier:
Clyde Hart (am 1936-09-29)
Kontrabass:
Artie Bernstein (am 1936-09-29)
Schlagzeug:
Cozy Cole (am 1936-09-29)
Trompete:
Bunny Berigan (am 1936-09-29)
vocals:
Billie Holiday (am 1936-09-29)
recording of:
A Fine Romance (from “Swing Time”) (am 1936-09-29)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday2:51
3Jeepers Creepers
Interpret(in):
Count Basie and His Orchestra
cover recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Tony Bennett feat. Count Basie & His Orchestra2:06
4Nancy (with the Laughing Face)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-22)
Bass:
Jack Ryan (jazz bassist) (am 1945-08-22)
Bratsche / Viola:
Allan Harshman (violist) (am 1945-08-22), Maurice Perlmutter (am 1945-08-22) und Dave Sterkin (am 1945-08-22)
Cello:
Cy Bernard (am 1945-08-22), Arthur Kafton (am 1945-08-22) und Jack Sewell (am 1945-08-22)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1945-08-22), Walter Edelstein (am 1945-08-22), Peter Ellis (1940s violinist) (am 1945-08-22), Sam Freed, Jr. (Violinist) (am 1945-08-22), David Frisina (am 1945-08-22), Howard Halbert (am 1945-08-22), Gerald Joyce (am 1945-08-22), Sol Kindler (am 1945-08-22), Samuel Levine (violinist) (am 1945-08-22), Anthony Perrotti (am 1945-08-22), Nicholas Pisani (am 1945-08-22) und Mischa Russell (violinist) (am 1945-08-22)
Gitarre:
Perry Botkin (am 1945-08-22)
Harfe:
Ann Mason Stockton (American harpist) (am 1945-08-22)
Holzblasinstrumente:
Heinie Beau (am 1945-08-22), Leonard Hartman (am 1945-08-22), Harold Lawson (am 1945-08-22), Don Lodice (am 1945-08-22) und Fred Stulce (am 1945-08-22)
Klavier:
Frank Leithner (am 1945-08-22)
Posaune:
Peter Beilman (trombonist) (am 1945-08-22), Carl Loeffler (am 1945-08-22) und Elmer Smithers (am 1945-08-22)
Schlagzeug:
Ray Hagan (am 1945-08-22)
Trompete:
Bruce Hudson (am 1945-08-22), Leonard Mach (am 1945-08-22) und Uan Rasey (am 1945-08-22)
Waldhorn:
James Stagliano (am 1945-08-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-08-22)
conductor:
Axel Stordahl (am 1945-08-22)
arranger:
Axel Stordahl
recording of:
Nancy (With the Laughing Face) (am 1945-08-22)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Nancy
Verfasser(in):
Phil Silvers (actor) und Jimmy Van Heusen
publisher:
Barton Music Corp.
Frank Sinatra2.653:24
5Nature Boy
Produzent(in):
Lee Gillette
vocals:
Nat King Cole (am 1961-03-27)
Orchester:
The Ralph Carmichael Orchestra and Chorus (am 1961-03-27)
conductor:
Ralph Carmichael (am 1961-03-27)
recording of:
Nature Boy (am 1961-03-27)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:53
6Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore (am 1940-05-04)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Duke Ellington & His Orchestra3:19
7Do You Know What It Means to Miss New Orleans
Interpret(in):
Billie Holiday
recording of:
Do You Know What It Means to Miss New Orleans
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
Louis Armstrong feat. Billie Holiday6:33
8Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Peggy Lee2:15
9My Man
Billie Holiday3:03
10Hello Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Louis Armstrong42:30
11Stranger on the Shore
phonographisches Urheberrecht (℗) von:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) und K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
Komponist(in):
Acker Bilk
publisher:
EMI Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:50
12The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Astrud Gilberto3:17
13Minnie the Moocher
recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Cab Calloway3:12
14What a Diff’rence a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:29
15I Want a Little Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:27
16And the Angels Sing
recording of:
And the Angels Sing
Texter:
Johnny Mercer
Komponist(in):
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd. und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman3:13
17The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Lena Horne2:16
18Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:22
19A Nightingale Sang in Berkeley Square
recording of:
A Nightingale Sang in Berkeley Square (for band, Fernie)
Komponist(in):
Manning Sherwin
instruments arranger:
Alan Fernie (arranger, composer, adjudicator, conductor)
Arrangement von:
A Nightingale Sang in Berkeley Square
Glenn Miller3:37
20You Stepped Out of a Dream
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
Texter:
Gus Kahn
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
Teil von:
Ziegfeld Girl (1941)
Sarah Vaughan2:16
21Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957, am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (in 1957, am 1957-07-23)
Trompete:
Louis Armstrong (in 1957, am 1957-07-23)
vocals:
Louis Armstrong (in 1957, am 1957-07-23) und Ella Fitzgerald (American jazz singer) (in 1957, am 1957-07-23)
Interpret(in):
Ella Fitzgerald (American jazz singer)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald feat. Louis Armstrong3.654:10
2▶CD: The Jazz Station, Volume 2
3▶CD: The Jazz Station, Volume 3
4▶CD: The Jazz Station, Volume 4
5▶CD: The Jazz Station, Volume 5

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