Best of the 1970s American Bandstand Spotlight Dances

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▼CD
noTitreArtisteÉvaluationDurée
1Oh Girl
recording of :
Oh Girl
parolier et compositeur :
Eugene Record
éditeur :
Unichappell Music, Inc. et Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites53:30
2If You Don't Know Me by Now
producteur :
Kenneth Gamble (songwriter for Philadelphia International) et Leon Huff (Philly soul producer, of Gamble & Huff)
voix d’accompagnement :
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (le 1972)
voix principale :
Harold Melvin (le 1972)
arrangeur :
Bobby Martin (US soul/R&B producer/arranger)
droits phonographiques (℗) par :
CBS, Inc. (US broadcasting company; file no releases here!) (le 1972) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1972, le 1991)
enregistré à :
Sigma Sound Studios dans Philadelphia, Pennsylvania, États-Unis (le 1972)
recording of :
If You Don’t Know Me by Now (le 1972)
auteur :
Kenneth Gamble (songwriter for Philadelphia International) et Leon Huff (Philly soul producer, of Gamble & Huff)
éditeur :
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America et Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:28
3I've Got Love on My Mind
droits phonographiques (℗) par :
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (le 1977)
recording of :
I’ve Got Love on My Mind
auteur :
Chuck Jackson (US R&B/soul vocalist) et Marvin Yancy (R&B/soul singer and pastor)
éditeur :
Chappell & Co., Inc. (USA) et Jay’s Enterprises Inc.
Natalie Cole4:22
4One Less Bell to Answer
preneur de son, ingénieur et producteur :
Bones Howe
ingénieur assistant :
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) et Rik Pekkonen
basse :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone :
Hal Blaine (U.S. studio drummer and percussionist)
voix solo :
Marilyn McCoo Davis (le 1970)
interprète :
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis et Ron Townson
techniquement conçu à :
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) dans Hollywood, Los Angeles, California (Californie), États-Unis
reprise recording of :
One Less Bell to Answer (le 1970)
parolier :
Hal David (le 1967)
compositeur :
Burt Bacharach (le 1967)
éditeur :
Blue Seas Music, Inc. (terminé), JAC Music Co., Inc. (terminé), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements et Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:32
5Sad Eyes
droits phonographiques (℗) par :
EMI Records USA (formerly EMI USA, renamed since early 1990s) (le 1979) et EMI USA (renamed EMI Records USA in the beginning of the 1990s) (le 1979)
recording of :
Sad Eyes
parolier et compositeur :
Robert John (US singer‐songwriter)
éditeur :
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) et ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
6Break Up to Make Up
recording of :
Break Up to Make Up
auteur :
Thom Bell (keyboards, songwriter, producer), Linda Creed et Kenneth Gamble (songwriter for Philadelphia International)
éditeur :
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3:56
7Don't It Make My Brown Eyes Blue
droits phonographiques (℗) par :
Capitol Records Nashville (le 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (le 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (le 1976) et Capitol Nashville (le 1977, le 1979)
partie de :
Billboard Year-End Hot 100 singles of 1978 (numéro : 71)
reprise recording of :
Don’t It Make My Brown Eyes Blue
parolier et compositeur :
Richard Leigh (American country music songwriter and singer)
éditeur :
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) et EMI United Partnership Ltd.
Crystal Gayle4.42:36
8Close the Door
producteur :
Kenneth Gamble (songwriter for Philadelphia International) et Leon Huff (Philly soul producer, of Gamble & Huff)
recording of :
Close the Door
auteur :
Kenneth Gamble (songwriter for Philadelphia International) et Leon Huff (Philly soul producer, of Gamble & Huff)
éditeur :
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:28
9Let Me Make Love to You
recording of :
Let Me Make Love to You
auteur :
Allan Felder et Bunny Sigler
éditeur :
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:38
10Lovin' You
producteur :
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) et Stevie Wonder
batterie , cymbale , harmonica et piano :
El Toro Negro
batterie [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) et El Toro Negro
congas :
Kwasi "Rocki" Dzidzornu
guitare :
Marlo Henderson et Michael Sembello
guitare basse :
Reggie McBride
voix :
Minnie Riperton
voix d’accompagnement :
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) et Yvonne Wright
droits phonographiques (℗) par :
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (le 1993)
recording of :
Lovin’ You
auteur :
Minnie Riperton et Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
éditeur :
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation et ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sous-éditeur :
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:24
11Best Thing That Ever Happened to Me
reprise recording of :
Best Thing That Ever Happened to Me
parolier et compositeur :
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
12(If Loving You Is Wrong) I Don't Want to Be Right
recording of :
(If Loving You Is Wrong) I Don’t Want to Be Right
auteur :
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) et Raymond Jackson (songwriter, guitarist and producer)
éditeur :
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) et ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:28
13Lady Blue
Leon Russell3:31
14Wildflower
recording of :
Wildflower
parolier :
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
compositeur :
Douglas Fraser Edwards
éditeur :
Edsel Music (pub, affiliated to SOCAN), Inaudible Music (pub, affiliated to SOCAN), Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Nettwerk Songs Publishing Ltd., Nettwerk Tunes, Songs of Kobalt Music Publishing et Summerless Music Inc. (pub, affiliated to SOCAN)
Skylark54:10
15I'm Not Lisa
partie de :
Rolling Stone: The 200 Greatest Country Songs of All Time (numéro : 140)
recording of :
I’m Not Lisa
parolier et compositeur :
Jessi Colter
Jessi Colter3:23