Best of the 1970s American Bandstand Spotlight Dances

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Oh Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites53:30
2If You Don't Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:28
3I've Got Love on My Mind
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
registrazione di:
I’ve Got Love on My Mind
autore:
Chuck Jackson (US R&B/soul vocalist) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole4:22
4One Less Bell to Answer
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
voce solista:
Marilyn McCoo Davis (nel 1970)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
One Less Bell to Answer (nel 1970)
paroliere:
Hal David (nel 1967)
compositore:
Burt Bacharach (nel 1967)
editore:
Blue Seas Music, Inc. (conclusa), JAC Music Co., Inc. (conclusa), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements e Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:32
5Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
6Break Up to Make Up
registrazione di:
Break Up to Make Up
autore:
Thom Bell (keyboards, songwriter, producer), Linda Creed e Kenneth Gamble (songwriter for Philadelphia International)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3:56
7Don't It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:36
8Close the Door
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
registrazione di:
Close the Door
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:28
9Let Me Make Love to You
registrazione di:
Let Me Make Love to You
autore:
Allan Felder e Bunny Sigler
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:38
10Lovin' You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:24
11Best Thing That Ever Happened to Me
registrazione cover di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
12(If Loving You Is Wrong) I Don't Want to Be Right
registrazione di:
(If Loving You Is Wrong) I Don’t Want to Be Right
autore:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) e Raymond Jackson (songwriter, guitarist and producer)
editore:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:28
13Lady Blue
Leon Russell3:31
14Wildflower
registrazione di:
Wildflower
paroliere:
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
compositore:
Douglas Fraser Edwards
editore:
Edsel Music (pub, affiliated to SOCAN), Inaudible Music (pub, affiliated to SOCAN), Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Nettwerk Songs Publishing Ltd., Nettwerk Tunes, Songs of Kobalt Music Publishing e Summerless Music Inc. (pub, affiliated to SOCAN)
Skylark54:10
15I'm Not Lisa
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 140)
registrazione di:
I’m Not Lisa
paroliere e compositore:
Jessi Colter
Jessi Colter3:23

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