Memories Are Made of This

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders (nel 1955)
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (il 1955-10-28)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
editore:
Montclare Music
Dean Martin52:17
2Love Is a Many‐Splendored Thing
orchestra:
Jack Pleiss’ Orchestra
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1955)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
The Four Aces33:00
3Unforgettable
arpa :
Ann Mason Stockton (American harpist) (il 1951-08-17)
batteria :
Nick Fatool (il 1951-08-17)
celesta e pianoforte :
Buddy Cole (il 1951-08-17)
chitarra :
Bob Bain (guitarist) (il 1951-08-17)
congas :
Joe Costanzo (il 1951-08-17)
contrabbasso :
Joe Comfort (il 1951-08-17)
viola :
Paul Robyn (il 1951-08-17) e Dave Sterkin (il 1951-08-17)
violino :
Alex Beller (il 1951-08-17), Harry Bluestone (il 1951-08-17), Walter Edelstein (il 1951-08-17), Henry Hill (Violin player) (il 1951-08-17), Dan Lube (il 1951-08-17), Erno Neufeld (il 1951-08-17), Mischa Russell (violinist) (il 1951-08-17) e Marshall Sosson (il 1951-08-17)
violoncello :
Cy Bernard (il 1951-08-17) e Eleanor Slatkin (US cellist, b. Aller) (il 1951-08-17)
voce:
Nat King Cole (il 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (il 1951-08-17)
direttore d'orchestra:
Nelson Riddle (il 1951-08-17)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-08-17)
registrazione di:
Unforgettable (il 1951-08-17)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole43:12
4You Light Up My Life
produttore:
Joseph Brooks (US songwriter/film director)
arrangiatore:
Joseph Brooks (US songwriter/film director)
è stato produttore per:
Mike Curb Productions
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 3) e Billboard: Greatest of All Time Hot 100 Songs (numero: 12)
registrazione di:
You Light Up My Life
paroliere e compositore:
Joseph Brooks (US songwriter/film director)
editore:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 電通ミュージック・アンド・エンタテインメント PR第3事業部
parte di:
The 50th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1977 winner)
Debby Boone53:40
5The Way We Were
registrazione cover di:
The Way We Were
paroliere:
Alan Bergman (American lyricist) (nel 1973) e Marilyn Bergman (nel 1973)
compositore:
Marvin Hamlisch (nel 1973)
editore:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. e Colgems-EMI Music Inc. (nel 1973)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 46th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1973 winner)
parte di:
The Way We Were
Johnny Mathis3:46
6I’ll Get By (As Long as I Have You)
The Ink Spots2:56
7Secret Love
voce:
Doris Day (il 1953-08-05)
orchestra:
The Warner Bros. Studio Orchestra (il 1953-08-05)
direttore d'orchestra:
Ray Heindorf (il 1953-08-05)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1953)
registrata presso:
Warner Bros. Studios (Burbank, CA) in Burbank, California, Stati Uniti (il 1953-08-05)
registrazione di:
Secret Love (song from “Calamity Jane”) (il 1953-08-05)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America e Warner Chappell North America Ltd.
sub-editore:
Universal/MCA Music Ltd. (not for release label use!) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
parte di:
The 26th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1953 winner)
parte di:
Calamity Jane (stage musical)
Doris Day33:40
8The Last Farewell
voce:
Roger Whittaker
registrazione di:
The Last Farewell (1971 song)
paroliere:
Ron Webster (silversmith)
compositore:
Roger Whittaker
Roger Whittaker4:00
9Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (Nashville session musician and arranger) (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.73:33
10Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
11Moments to Remember
voce:
The Four Lads
voce di mezzosoprano [singing voice on 1st lead and harmony]:
Lois Winters
voce parlata [poetic spoken voice]:
Pat Kirby (American jazz singer)
orchestra:
Ray Ellis and His Orchestra & Chorus
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor)
registrazione di:
Moments to Remember (1955 song)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Four Lads3:19
12You Belong to Me
registrazione cover di:
You Belong to Me
autore:
Pee Wee King, Chilton Price (country music songwriter) e Redd Stewart
editore:
Hill & Range Inc. (publisher) e Ridgeway Music Co, Inc.
Jo Stafford43:07
13Love Letters in the Sand
produttore:
Randy Wood (producer)
basso :
Larry Breen (il 1956-11-24)
batteria :
Dick Shanahan (il 1956-11-24)
chitarra :
Barney Kessel (il 1956-11-24) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-11-24)
clarinetto :
Ryland Weston (il 1956-11-24)
pianoforte :
Milt Rogers (bandleader, arranger and composer) (il 1956-11-24)
sassofono :
Babe Russin (il 1956-11-24) e Justin Gordon (il 1956-11-24)
vibrafono :
Bernie Mattinson (il 1956-11-24)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-11-24)
voce:
Pat Boone (il 1956-11-24)
direttore d'orchestra:
Billy Vaughn (il 1956-11-24)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-11-24)
registrazione cover di:
Love Letters in the Sand (il 1956-11-24)
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone2:16
14Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:28
15The First Time Ever I Saw Your Face
produttore:
John Court
registrazione cover di:
The First Time Ever I Saw Your Face
paroliere e compositore:
Ewan MacColl (folksinger, songwriter, actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. e Westbury Music Ltd.
Gordon Lightfoot3:13
16It Had to Be You
registrazione cover di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
registrazione di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Kenny Rogers2:42
17And I Love You
tecnico:
Tom Pick
produttore:
Chet Atkins
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1973-01-19)
direttore d'orchestra:
Cam Mullins (il 1973-01-19)
arrangiatore:
Cam Mullins
diritti fonografici (℗) detenuti da:
RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1973)
registrazione cover di:
And I Love You So (il 1973-01-19)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Perry Como33:21
18When You Where Sweet Sixteen
The Mills Brothers3:08
19At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.52:59
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