Messiah

~ Release by Handel; Trinity Choir, Trinity Church Orchestra, Owen Burdick (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Messiah: No. 1. Overture
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:39
2Messiah: Part One: Scene One: No. 2. Arioso for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:08
3Messiah: Part One: Scene One: No. 3. Air for Tenor
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
tenor vocals:
Benjamin Brecher (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:41
4Messiah: Part One: Scene One: No. 4. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:36
5Messiah: Part One: Scene Two: No. 5. Recitative for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
James Martin (baritone) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:22
6Messiah: Part One: Scene Two: No. 6. Air for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
James Martin (baritone) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:19
7Messiah: Part One: Scene Two: No. 7. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:22
8Messiah: Part One: Scene Three: No. 8. Recitative for Alto
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Andrea Saposnik (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:27
9Messiah: Part One: Scene Three: No. 9. Air for Alto and Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Andrea Saposnik (from 1996-05-05 until 1996-05-12)
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:33
10Messiah: Part One: Scene Four: No. 10. Arioso for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
Robert McLoud (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:54
11Messiah: Part One: Scene Four: No. 11. Air for Bass
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
bass vocals:
Robert McLoud (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:47
12Messiah: Part One: Scene Four: No. 12. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:06
13Messiah: Part One: Scene Four: No. 13. Pifa (Pastoral Symphony)
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:07
14Messiah: Part One: Scene Five: No. 14a. Recitative and No. 14b. Arioso for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:36
15Messiah: Part One: Scene Five: No. 15. Recitative for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:37
16Messiah: Part One: Scene Five: No. 16. Arioso for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:16
17Messiah: Part One: Scene Five: No. 17. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:57
18Messiah: Part One: Scene Six: No. 18. Air for Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
soprano vocals:
Bethany Hodges (soprano) (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:12
19Messiah: Part One: Scene Six: No. 19. Recitative for Alto
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Sarah Bleasdale (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:29
20Messiah: Part One: Scene Six: No. 20. Air for Alto and Soprano
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Sarah Bleasdale (from 1996-05-05 until 1996-05-12)
soprano vocals:
Janine Ullyette (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:25
21Messiah: Part One: Scene Six: No. 21. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:11
22Messiah: Part Two: Scene One: No. 22. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:11
23Messiah: Part Two: Scene One: No. 23. Air for Alto
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
alto vocals:
Sarah Bleasdale (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel9:09
24Messiah: Part Two: Scene One: No. 24. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:49
25Messiah: Part Two: Scene One: No. 25. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:11
26Messiah: Part Two: Scene One: No. 26. Chorus
assistant recording engineer:
Rich Lamb (engineer)
recording engineer and mixer:
Leonardo Bella
producer:
Leonardo Bella and Owen Burdick (organist, composer and conductor)
assistant mixer:
Tom Schick
additional editor:
Alan Tucker
editor:
Fred Kevorkian
choir vocals:
Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12)
orchestra:
Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:
Owen Burdick (organist, composer and conductor) (from 1996-05-05 until 1996-05-12)
recorded at:
Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:
Sear Sound in New York, New York, United States
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1996-05-05 until 1996-05-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:24
2▶CD