Friends in Music

~ Release by Yehudi Menuhin & Stéphane Grappelli (see all versions of this release, 1 available)

Tracklist

1▼CD: Jealousy / Fascinatin' Rhythm
#TitleRatingLength
1Jealousy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
recording of:
Jalousie “Tango Tzigane” (catch-all for arrangements) (from 1972-06-14 until 1972-06-15)
composer:
Jacob Gade (in 1925)
arrangement of:
Jalousie “Tango Tzigane” (original orchestral version)
3:07
2The Blue Room
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:19
3A Fine Romance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:24
4Love Is Here to Stay
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Love Is Here to Stay (from 1972-06-14 until 1972-06-15)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:59
5Billy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
2:03
6Pick Yourself Up
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
2:18
7Night and Day
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1972-06-14 until 1972-06-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:07
8Aurore
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
violin:
Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
2:37
9I Can’t Believe That You’re in Love With Me
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush and Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Chris Karan and Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (from 1973-03-06 until 1973-03-07)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:05
10These Foolish Things
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
These Foolish Things (Remind Me of You) (from 1973-03-06 until 1973-03-07)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
4:23
11Oh, Lady, Be Good!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set) and membranophone:
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Oh, Lady Be Good! (from 1973-03-06 until 1973-03-07)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:38
12Cheek to Cheek
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
performer:
Alan Clare Trio (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:47
13The Lady Is a Tramp
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
4:26
14Errol
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
3:20
15Jermyn Street
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
violin:
Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
4:07
16Just One of Those Things
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
instrumental recording of:
Just One of Those Things (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:23
17Fascinating Rhythm
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:20
18Liza
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Liza (All the Clouds’ll Roll Away)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
3:41
19I Got Rhythm
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:58
20Johnny Aime
2:39
21I Get a Kick Out of You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
I Get a Kick Out of You (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:06
22Soon
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Soon
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. and New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:48
23’S Wonderful
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
guitar:
Ike Issacs (from 1975-05-21 until 1975-05-23)
piano:
Alan Clare (from 1975-05-21 until 1975-05-23) and Max Harris (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
’S Wonderful (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:44
2▶CD: Fascinatin' Rhythm / Tea for Two / Strictly for the Birds
3▶CD: Strictly for the Birds / Top Hat
4▶CD: Top Hat / For All Seasons

Credits

Release

ASIN:UK: B002HIEIUG [info]