Friends in Music

~ Release by Yehudi Menuhin & Stéphane Grappelli (see all versions of this release, 1 available)

Tracklist

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1▼CD: Jealousy / Fascinatin' Rhythm
#TitleRatingLength
1Jealousy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
recording of:
Jalousie “Tango Tzigane” (catch-all for arrangements) (from 1972-06-14 until 1972-06-15)
composer:
Jacob Gade (in 1925)
arrangement of:
Jalousie “Tango Tzigane” (original orchestral version)
3:07
2The Blue Room
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:19
3A Fine Romance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:24
4Love Is Here to Stay
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Love Is Here to Stay (from 1972-06-14 until 1972-06-15)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:59
5Billy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
2:03
6Pick Yourself Up
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
2:18
7Night and Day
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1972-06-14 until 1972-06-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:07
8Aurore
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
violin:
Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
2:37
9I Can’t Believe That You’re in Love With Me
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush and Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Chris Karan and Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (from 1973-03-06 until 1973-03-07)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:05
10These Foolish Things
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
These Foolish Things (Remind Me of You) (from 1973-03-06 until 1973-03-07)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
4:23
11Oh, Lady, Be Good!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set) and membranophone:
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Oh, Lady Be Good! (from 1973-03-06 until 1973-03-07)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:38
12Cheek to Cheek
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
performer:
Alan Clare Trio (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:47
13The Lady Is a Tramp
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
4:26
14Errol
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
3:20
15Jermyn Street
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
violin:
Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
4:07
16Just One of Those Things
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
instrumental recording of:
Just One of Those Things (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:23
17Fascinating Rhythm
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:20
18Liza
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Liza (All the Clouds’ll Roll Away)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
3:41
19I Got Rhythm
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:58
20Johnny Aime
2:39
21I Get a Kick Out of You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
I Get a Kick Out of You (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:06
22Soon
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Soon
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. and New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:48
23’S Wonderful
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
guitar:
Ike Issacs (from 1975-05-21 until 1975-05-23)
piano:
Alan Clare (from 1975-05-21 until 1975-05-23) and Max Harris (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
’S Wonderful (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:44
2▼CD: Fascinatin' Rhythm / Tea for Two / Strictly for the Birds
#TitleRatingLength
1Summertime
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
electric piano:
Alan Clare (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:25
2Menuet pour Menuhin
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer and balance engineer:
Tony Clark (engineer, Abbey Road)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
phonographic copyright (℗) by:
EMI Electrola Ltd
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
recording of:
Menuet Pour Menuhin (from 1975-05-21 until 1975-05-23)
composer and arranger:
Stéphane Grappelli (jazz violinist)
3:09
3Nice Work If You Can Get It
2:32
4Embraceable You
double bass:
Lennie Bush
membranophone:
Ronnie Verrell
piano:
Alan Clare
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
conductor:
Max Harris
instrumental recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:12
5Looking at You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
instrumental recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
3:24
6Why Do I Love You?
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
Why Do I Love You? (Show Boat) (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
instrumental recording of:
Why Do I Love You? (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
3:30
7All the Things You Are
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:15
8Crazy Rhythm
bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
guitar [Lead guitar]:
John Etheridge
guitar [Rhythm guitar]:
Jan Blok (guitar player)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
cover recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
2:51
9Limehouse Blues
2:56
10Between the Devil and the Deep Blue Sea
bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
guitar [Lead guitar]:
John Etheridge
guitar [Rhythm guitar]:
Jan Blok (guitar player)
arranger:
Max Harris
cover recording of:
Between the Devil and the Deep Blue Sea
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:32
11Tea for Two
producer:
John Mordler (producer)
bass and double bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
guitar:
Jan Blok (guitar player) (from 1977-10-28 until 1977-10-29) and John Etheridge (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
recording of:
Tea for Two (No, No, Nanette) (from 1977-10-28 until 1977-10-29)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:40
12Yesterdays
bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
harpsichord and piano:
Laurie Holloway
arranger:
Max Harris
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:13
13My Funny Valentine
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (in 1977-10)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1977-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
4:08
14I Didn’t Know What Time It Was
4:10
15A Foggy Day (In London Town)
double bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
piano:
Laurie Holloway
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:47
16Highgate Village
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Highgate Village
composer:
Stéphane Grappelli (jazz violinist)
4:57
17Adelaide Eve
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Adelaide Eve
composer:
Stéphane Grappelli (jazz violinist)
4:07
18Viva Vivaldi
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
2:26
19Air on a Shoestring
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
3:42
20The Man I Love
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
instrumental recording of:
The Man I Love (from 1977-10-28 until 1977-10-29)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:44
21Thou Swell
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (in 1977-10)
cover recording of:
Thou Swell (in 1977-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
instrumental recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
3:04
22Coucou
producer:
John Fraser (UK producer)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1979-11-08 until 1979-11-09)
violin:
Yehudi Menuhin (violinist) (from 1979-11-08 until 1979-11-09)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-11-08 until 1979-11-09)
4:03
3▼CD: Strictly for the Birds / Top Hat
#TitleRatingLength
1A Nightingale Sang in Berkeley Square
arranger:
Max Harris
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-11)
instrumental recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
5:17
2Lullaby of Birdland
3:55
3When the Red, Red, Robin Comes Bob, Bob, Bobbin’ Along
3:25
4Skylark
4:52
5Bye Bye Blackbird
arranger:
Max Harris
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-11)
instrumental recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
2:57
6Flamingo
arranger:
Max Harris
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-11)
cover recording of:
Flamingo
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
3:46
7Dinah
3:45
8Rosetta
2:52
9Sweet Sue
3:07
10Once in Love With Amy
recording of:
Once in Love With Amy (Where’s Charly?)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:28
11Laura
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Laura (original 1944 film theme)
composer:
David Raksin (in 1944)
4:33
12Sweet Georgia Brown
2:39
13La route du Roi
4:05
14Isn’t This a Lovely Day (To Be Caught in the Rain)?
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-07)
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
2:58
15He Loves and She Loves
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
He Loves and She Loves
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:55
16Funny Face
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Funny Face
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
New World Music Company Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:23
17They Can’t Take That Away From Me
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:51
18They All Laughed
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
They All Laughed (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:01
19Puttin’ on the Ritz
3:28
20Change Partners
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-07)
instrumental recording of:
Change Partners (from “Carefree”)
lyricist and composer:
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
3:33
21Top Hat, White Tie and Tails
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
Top Hat
composer:
Irving Berlin
instrumental recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:59
4▼CD: Top Hat / For All Seasons
#TitleRatingLength
1The Piccolino
3:16
2The Way You Look Tonight
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-07)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:40
3The Continental
4:10
4The Carioca
3:47
5Alison
3:31
6Amanda
3:29
7Winter Set
3:46
8Button Up Your Overcoat
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
cover recording of:
Button Up Your Overcoat
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
2:58
9Spring Will Be a Little Late This Year
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
harp:
David Snell (British harpist and conductor, library music)
horn [horns] and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Spring Will Be a Little Late This Year
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL Music Publishing Inc.
5:22
10April in Paris
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:38
11Autumn in New York
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
4:20
12On the Sunny Side of the Street
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
cover recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:57
13The Things We Did Last Summer
5:10
14Autumn Leaves
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Oliver Zapf and Patrick Zapf
instrumental recording of:
Autumn Leaves (jazz standard, English lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
4:43
15Giboulées de mars
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Giboulées de mars
composer:
Stéphane Grappelli (jazz violinist)
3:00
16Automne
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Automne grappelli
composer:
Maeve Gilchrist and Stéphane Grappelli (jazz violinist)
3:50
17I’ve Got My Love to Keep Me Warm
producer:
John Fraser (UK producer)
double bass [bass]:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
instrumental recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:31
18Heat Wave
producer:
John Fraser (UK producer)
double bass [bass]:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
instrumental recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
2:58
19I’ll Remember April
bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
cover recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
4:13
20September in the Rain
3:39

Credits

Release

ASIN:UK: B002HIEIUG [info]