Friends in Music

~ Release by Yehudi Menuhin & Stéphane Grappelli (see all versions of this release, 1 available)

Tracklist

1CD: Jealousy / Fascinatin' Rhythm
2CD: Fascinatin' Rhythm / Tea for Two / Strictly for the Birds
#TitleRatingLength
1Summertime
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
electric piano:
Alan Clare (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:25
2Menuet pour Menuhin
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer and balance engineer:
Tony Clark (engineer, Abbey Road)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
phonographic copyright (℗) by:
EMI Electrola Ltd
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
recording of:
Menuet Pour Menuhin (from 1975-05-21 until 1975-05-23)
composer and arranger:
Stéphane Grappelli (jazz violinist)
3:09
3Nice Work If You Can Get It
2:32
4Embraceable You
double bass:
Lennie Bush
membranophone:
Ronnie Verrell
piano:
Alan Clare
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
conductor:
Max Harris
instrumental recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:12
5Looking at You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
instrumental recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
3:24
6Why Do I Love You?
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
recording of:
Why Do I Love You? (Show Boat) (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
instrumental recording of:
Why Do I Love You? (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
3:30
7All the Things You Are
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-05)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:15
8Crazy Rhythm
bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
guitar [Lead guitar]:
John Etheridge
guitar [Rhythm guitar]:
Jan Blok (guitar player)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
cover recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
2:51
9Limehouse Blues
2:56
10Between the Devil and the Deep Blue Sea2:32
11Tea for Two
producer:
John Mordler (producer)
bass and double bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
guitar:
Jan Blok (guitar player) (from 1977-10-28 until 1977-10-29) and John Etheridge (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
recording of:
Tea for Two (No, No, Nanette) (from 1977-10-28 until 1977-10-29)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:40
12Yesterdays
bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
harpsichord and piano:
Laurie Holloway
arranger:
Max Harris
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:13
13My Funny Valentine
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (in 1977-10)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1977-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
4:08
14I Didn’t Know What Time It Was
4:10
15A Foggy Day (In London Town)
double bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
piano:
Laurie Holloway
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:47
16Highgate Village
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Highgate Village
composer:
Stéphane Grappelli (jazz violinist)
4:57
17Adelaide Eve
piano:
Stéphane Grappelli (jazz violinist)
violin:
Yehudi Menuhin (violinist)
recording of:
Adelaide Eve
composer:
Stéphane Grappelli (jazz violinist)
4:07
18Viva Vivaldi
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
2:26
19Air on a Shoestring
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
3:42
20The Man I Love
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
instrumental recording of:
The Man I Love (from 1977-10-28 until 1977-10-29)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:44
21Thou Swell
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (in 1977-10)
cover recording of:
Thou Swell (in 1977-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
instrumental recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
3:04
22Coucou
producer:
John Fraser (UK producer)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1979-11-08 until 1979-11-09)
violin:
Yehudi Menuhin (violinist) (from 1979-11-08 until 1979-11-09)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-11-08 until 1979-11-09)
4:03
3CD: Strictly for the Birds / Top Hat
4CD: Top Hat / For All Seasons

Credits

Release

ASIN:UK: B002HIEIUG [info]