20 to 1: World’s Best Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:25
2Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
3The Power of Love
produttore:
Christopher Neil
registrazione cover di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Céline Dion3.54:46
4How Do I Love
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes4.54:25
5Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:06
6Throw Your Arms to Me
Hunters & Collectors3:53
7Love Me Tender
registrazione di:
Love Me Tender
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley2:42
8(I Can’t Help) Falling in Love With You
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
UB403.253:27
9Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie & Diana Ross3.54:27
10I’ll Make Love to You
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 24)
registrazione di:
I’ll Make Love to You
paroliere e compositore:
Kenny Edmonds (R&B musician Kenny Edmonds)
registrazione cover di:
I’ll Make Love to You
paroliere e compositore:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men3:58
11At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:00
12All Out of Love
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980) e Arista Records, LLC (holding company - file NO releases here!) (nel 1980)
registrazione di:
All Out of Love (nel 1980)
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply3:53
13Can’t Get Enough of Your Love – Babe
diritti fonografici (℗) detenuti da:
PolyGram Records (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:03
14I’ll Stand By You
tecnico:
Steve Williams (UK recording engineer, aka Syco)
produttore:
Ian Stanley
batteria :
Jimmy Copley e J.F.T. Hood
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Adam Seymour
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1994, nel 2000) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
registrazione di:
I’ll Stand by You
autore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) e Billy Steinberg
editore:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L e Kobalt Publishing Ltd.
Pretenders3.554:00
15Amazed
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 2000)
registrazione di:
Amazed
autore:
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) e Aimee Mayo (American songwriter)
editore:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar4:27
16Fallin’
tecnico di registrazione e programmazione:
Kerry "Krucial" Brothers
produttore:
Alicia Keys
tecnico di missaggio:
Russell Elevado
strumenti:
Alicia Keys
violino :
Miri
voce di accompagnamento:
Andricka Hall, Alicia Keys, Cindy Mizelle e Tammy Saunders
arrangiatore:
Alicia Keys
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
KrucialKeys Studios in New York, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
registrazione di:
Fallin’
paroliere e compositore:
Alicia Keys
editore:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing e Lellow Productions, Inc.
Alicia Keys3.853:31
17Save the Best for Last
produttore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore aggiunto:
Vanessa Williams (US pop/R&B vocalist/producer)
registrazione di:
Save the Best for Last
autore:
Phil Galdston, Jon Lind e Wendy Waldman
editore:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:40
18Let’s Get it On
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye3:58
19Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
20The Look of Love
Dusty Springfield3:33