NOW That’s What I Call Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:06
2Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:10
3The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:13
4Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonanno und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.73:47
5I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I’m Still Standing von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:04
6Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
7I Have a Dream
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1979-03-15)
Bratsche / Viola:
Lars Arvinder (am 1979-03-27), Nils Heie (am 1979-03-27) und Håkan Roos (Swedish violist) (am 1979-03-27)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1979-03-27) und Olle Gustafsson (cellist) (am 1979-03-27)
Geige / Violine:
Anders Dahl (Swedish violinist) (am 1979-03-27), Lennart Fredriksson (Swedish violinist) (am 1979-03-27), Lars Stegenberg (Swedish violinist) (am 1979-03-27), Inge Lindstedt (am 1979-03-27), Gunnar Michols (Swedish violinist) (am 1979-03-27), Claes Nilsson (Swedish violinist) (am 1979-03-27), Bo Söderström (Swedish violinist) (am 1979-03-27), Sixten Strömvall (Swedish violinist) (am 1979-03-27), Harry Teike (am 1979-03-27) und Krzysztof Zdrzalka (Swedish violinist) (am 1979-03-27)
Gitarre:
Janne Schaffer (am 1979-03-15) und Björn Ulvaeus (am 1979-03-15)
Kontrabass:
Bertil Andersson (Swedish double bassist) (am 1979-03-27) und Bo Hellman (Swedish double bassist) (am 1979-03-27)
Schlagzeug:
Ola Brunkert (am 1979-03-15)
Synthesizer:
Benny Andersson (ABBA) (am 1979-03-15)
Chorgesang:
International School of Stockholm Choir (in 1979)
Sologesang:
Frida (Swedish singer and member of ABBA) (in 1979)
chorus master:
Kernstin Feist (in 1979)
Bratsche / Viola arranger, Cello arranger, Geige / Violine arranger und Kontrabass arranger:
Rutger Gunnarsson
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1979-03-15)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
I Have a Dream (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (vom 1979 bis ????), EMI Waterford Music (vom 1979 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1979 bis heute) und Universal/Union Songs Musikförlag AB (vom 1979 bis heute)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.654:43
8Viva la vida
Produzent(in):
Markus Dravs, Brian Eno, Jon Hopkins und Rik Simpson
Mix:
Michael Brauer (engineer), Markus Dravs, Rik Simpson und Andy Wallace (engineer)
Bass:
Guy Berryman
Gitarre:
Jonny Buckland
Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Perkussion und Schlagzeug:
Will Champion
Saiteninstrumente:
Davide Rossi (Goldfrapp violinist)
Synthesizer:
Brian Eno
Hintergrundgesang:
Guy Berryman, Jonny Buckland, Will Champion und Brian Eno
Musikvideos:
Viva la Vida (Anton Corbijn version) von Coldplay und Viva la Vida von Coldplay
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 13), Billboard Year-End Hot 100 singles of 2009 (Nummer: 55), Indie 88: Top 500 Indie Rock Songs (Nummer: 71), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 144) und BILLIONS CLUB
recording of:
Viva la Vida
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
Universal Music Publishing MGB Ltd.
Coldplay4.054:02
9Firework
recording engineer:
Mikkel S. Eriksen und Miles Walker (engineer)
assistierende(r) Techniker(in):
Josh Houghkirk
zusätzliche(r) Techniker(in):
Damien Lewis und Carlos Oyanedel
Produzent(in):
StarGate (Norwegian production/songwriting team) und Sandy Vee
Mix:
Phil Tan (Malaysian-American audio engineer) und Sandy Vee
Instrumente:
Erik Hermansen, Mikkel S. Eriksen und Sandy Vee
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Roc the Mic Studios in New York, New York, Vereinigte Staaten
mixed at:
Soapbox Studios in Atlanta, Georgia, Vereinigte Staaten und The Bunker Studios in Paris, Île-de-France, Frankreich
Musikvideos:
Firework von Katy Perry
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 30) und BILLIONS CLUB
recording of:
Firework
Verfasser(in):
Ester Dean, Mikkel Storleer Eriksen, Tor Erik Hermansen, Katy Perry und Sandy Wilhelm (French electro DJ/producer, key track “Promised Land”)
publisher:
Dat Damn Dean Music, EMI Music Publishing Ltd. (PRS‐affiliated), Victor Music Arts, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Di Piu S R L (in 2010), EMI Music Publishing (do not use as a release label!) (in 2010), Peermusic III, Ltd. (BMI) (in 2010), Ultra Tunes (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Moulin Rouge! The Musical: Act 1
Katy Perry3.953:47
10Raise Your Glass
Bearbeitung von:
Raise Your Glass (explicit) von P!nk (American singer/songwriter)
recording of:
Raise Your Glass (in 2010)
Texter und Komponist(in):
Alecia Moore (American singer/songwriter), Johan Schuster und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), P!nk Inside Publishing und Songs of Kobalt Music Publishing
P!nk2.753:22
11Blinding Lights
Programmierung und Produzent(in):
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
assistierende(r) Techniker(in):
Cory Bice, Sean Klein und Jeremy Lertola
Techniker(in):
Shin Kamiyama
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard [keyboards] und Schlagzeug:
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
Hintergrundgesang:
Abel Tesfaye (Canadian R&B singer)
phonographisches Urheberrecht (℗) von:
The Weeknd XO, Inc. (in 2019)
produced for:
MXM Productions und Wolf Cousins Productions
aufgenommen bei:
Jungle City Studios in New York, New York, Vereinigte Staaten und MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Blinding Lights (music video) von The Weeknd (Canadian R&B singer)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 1), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 1), Billboard Year-End Hot 100 singles of 2021 (Nummer: 3), Stereogum Readers’ Top 10 Songs of 2020 (Nummer: 6), iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2021 winner), BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 51), Top Songs of 2024: Global (Nummer: 65) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 79)
recording of:
Blinding Lights (von 2019-06 bis 2019-11)
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Ahmad Balshe (Palestinian-Canadian rapper), Oscar Holter, Jason “DaHeala” Quenneville und Karl Martin Sandberg (Swedish record producer)
publisher:
BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP), Warner Chappell Music Scand (STIM), WB Music Corp. (1929–2019), WC Music Corp. und Wolf Cousins
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present) und Universal/MCA Music Publishing GmbH
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2021)
The Weeknd4.23:20
12Titanium
Produzent(in):
Afrojack (dutch DJ and producer), David Guetta und Giorgio Tuinfort
Mix:
Afrojack (dutch DJ and producer) und David Guetta
Gast Sologesang:
Sia (Australian singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 240) und BILLIONS CLUB
recording of:
Titanium
Texter:
Sia Furler (Sia, Australian singer‐songwriter)
Komponist(in):
David Guetta, Sia Furler (Sia, Australian singer‐songwriter), Giorgio Tuinfort und Nick van de Wall
David Guetta ft Sia44:05
13Giant
Techniker(in):
Calvin Harris (Scottish DJ and producer)
vocals:
Rag’n’Bone Man
Teil von:
Spotify: Top Hits of 2019 (Nummer: 74)
recording of:
Giant (in 2019)
Verfasser(in):
Jamie Hartman (pop songwriter and producer), Rory Graham, Troy Miller (british drummer, producer, songwriter) und Adam Wiles
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Reservoir Reverb Music Ltd., TSJ Merlyn Licensing B.V. und Warner/Chappell Music Ltd. (1996–2019)
Calvin Harris & Rag’n’Bone Man3.63:49
14Pompeii
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass]:
William Farquarson (bassist, Bastille)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards] und Klavier:
Dan Smith (member of UK band Bastille)
Schlagzeug:
Chris “Woody” Wood (drummer, Bastille)
Hintergrundgesang [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman und Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Pompeii von Bastille (British indie pop band)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 12), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 297)
recording of:
Pompeii
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.43:34
15Paradise
Programmierung:
Cam Blackwood und Matthew Racher (drummer)
Techniker(in):
Liam Thorne
Produzent(in):
Cam Blackwood
assistierende(r) Mix:
Joel Davies (engineer) und Charles Haydon Hicks
Mix:
Dan Grech‐Marguerat
Bassgitarre [bass], Keyboard und Sologesang:
George Ezra
Gitarre:
Cam Blackwood und George Ezra
Klavier und Synthesizer [synths]:
Cam Blackwood
Perkussion:
Cam Blackwood und Matthew Racher (drummer)
Schlagzeug [drums]:
Matthew Racher (drummer)
Hintergrundgesang [backing vocals]:
Florrie Arnold (Florence Arnold)
vocals:
Cam Blackwood
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
aufgenommen bei:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
recording of:
Paradise
Texter und Komponist(in):
George Ezra
George Ezra2.53:42
16Wonder
Produzent(in):
Scott Harris (Shawn Mendes collaborator), Kid Harpoon, Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
recording of:
Wonder
Verfasser(in):
Scott Harris (Shawn Mendes collaborator), Shawn Mendes, Nate Mercereau (US guitarist and songwriter) und Thomas Hull
Shawn Mendes3.152:52
17We Are Young
drum machine [drum]-Programmierung:
Jeff Bhasker
zusätzliche Programmierung:
Ken Lewis (recording engineer and mixer)
Techniker(in):
Andrew Dawson (US mix engineer), Sonny Pinnar (UK producer/engineer John Simpson, aka Sonny Pinna) (Saiteninstrumente) und Stuart White
Produzent(in):
Jeff Bhasker und TommyD (Aufgabe: orchestral producer)
assistierende(r) Mix:
Stuart White
Mix:
Jeff Bhasker
Bratsche / Viola:
Natalie Cavey und Emma Owens (violist, violinist, strings)
Cello:
Rosie Danvers und Jane Oliver (cellist)
flute:
Chloe Vincent
Geige / Violine:
Natalia Bonner (violinist), Stephanie Cavey, Sally Jackson (violinist) und Jenny Sacha
Keyboard [keyboards] und Hintergrundgesang:
Jeff Bhasker
Kontrabass:
Lucy Shaw (double bassist)
Posaune:
Mark Frost (trombone), Pat Hartley und Trevor Mires
Saiteninstrumente:
Wired Strings
Waldhorn:
Richard Ashton, Corinne Bailey (British hornist) und Richard Bissel (British horn player and composer)
Chorgesang:
Ky'lee Abrams, Boyce Buchanan, Marley Mulvihill, Lowell Novitch, Renata Robins, Skye Saltzman, Finn Snyder, Genevieve Thomas, West Los Angeles Children’s Choir und Janet Yang
conductor:
Barbara Klaskin Silberg
Orchestrator(in):
Jeff Bhasker und Rosie Danvers
phonographisches Urheberrecht (℗) von:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2011)
aufgenommen bei:
Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Jungle City in New York, New York, Vereinigte Staaten, Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (Chorgesang)
a cappella versions:
We Are Young von The Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 3), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2013), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 276), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 420)
recording of:
We Are Young
Verfasser(in):
Jeff Bhasker und Fun. (American indie pop band)
publisher:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music und WB Music Corp. (1929–2019)
fun. ft Janelle Monáe3.854:10
18I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.554:00
19One Moment in Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
Whitney Houston4.54:43
20Chariots of Fire
Techniker(in):
Raphael Preston, Raine Shine und John Walker (technical)
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich
recording of:
Chariots of Fire (title theme of the 1981 film)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und WB Music Corp. (1929–2019)
Vangelis3.63:31
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Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 104)