Gee Baby Ain’t I Good to You

~ Release by Harry Edison (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Blues for Piney Brown
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
?:??
A2Blues for the Blues
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
?:??
A3Blues for Bill Basie
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
?:??
B1Gee, Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1957-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
B2You’re Getting to Be a Habit With Me
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
?:??
B3Taste on the Place
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
?:??
B4Moonlight in Vermont
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??

Credits

Release group

Wikidata:Q39070105 [info]