A Boy From Tupelo: The Complete 1953–55 Recordings

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

3 CD box set

Annotazione modificata l'ultima volta il 2013-10-09 03:06 UTC.

Elenco tracce

1▶CD: Masters and Demos
2▶CD: The Sessions
3▼CD: Live and Radio Recordings
#TitoloValutazioneDurata
1That’s All Right (Oct. 16, 1954)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1954-10-16)
registrazione dal vivo cover di:
That’s All Right (il 1954-10-16)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
32:52
2Blue Moon of Kentucky (Oct. 16, 1954)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1954-10-16)
registrazione dal vivo cover di:
Blue Moon of Kentucky (il 1954-10-16)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
22:23
3Shake, Rattle and Roll (Jan. 6, 1955)
registrazione dal vivo cover di:
Shake, Rattle and Roll (il 1955-01-06)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
22:24
4Fool, Fool, Fool (Jan. 6, 1955)
registrazione dal vivo cover di:
Fool, Fool, Fool (il 1955-01-06)
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
editore:
Unichappell Music e Unichappell Music, Inc.
41:59
5Hearts of Stone (Jan. 15, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-15)
registrazione dal vivo cover di:
Hearts of Stone (il 1955-01-15)
autore:
Rudy Jackson (1950s-60s R&B vocalist) e Eddie Ray (US record company executive, producer & songwriter)
editore:
Regent Music (BMI)
2:02
6That’s All Right (Jan. 15, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-15)
registrazione dal vivo cover di:
That’s All Right (il 1955-01-15)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
31:52
7Tweedlee Dee (Jan. 15, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-15)
registrazione dal vivo cover di:
Tweedlee Dee (il 1955-01-15)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:51
8Shake, Rattle and Roll (Jan. 19, 1955)
registrazione dal vivo cover di:
Shake, Rattle and Roll (il 1955-01-19)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
22:23
9KSIJ Radio Commercial With DJ Tom Perryman (1955)
0:16
10Money Honey (Jan. 22, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
Money Honey (il 1955-01-22)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
22:43
11Blue Moon of Kentucky (Jan. 22, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
Blue Moon of Kentucky (il 1955-01-22)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
22:04
12I Don’t Care If the Sun Don’t Shine (Jan. 22, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
I Don’t Care If the Sun Don’t Shine (il 1955-01-22)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
22:33
13That’s All Right (Jan. 22, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
That’s All Right (il 1955-01-22)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
31:54
14Tweedlee Dee (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
Tweedlee Dee (il 1955-03-05)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:15
15Money Honey (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
Money Honey (il 1955-03-05)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
22:17
16Hearts of Stone (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
Hearts of Stone (il 1955-03-05)
autore:
Rudy Jackson (1950s-60s R&B vocalist) e Eddie Ray (US record company executive, producer & songwriter)
editore:
Regent Music (BMI)
1:37
17Shake, Rattle and Roll (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
Shake, Rattle and Roll (il 1955-03-05)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
21:39
18Little Mama (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
Little Mama (il 1955-03-05)
compositore:
Willis Carroll, Ahmet Ertegun (US songwriter/producer), Carmen Taylor (Alias: Elena Madera) e Jerry Wexler
editore:
Unichappell Music, Inc.
2:03
19You’re a Heartbreaker (Mar. 5, 1955)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-03-05)
registrazione dal vivo cover di:
You’re a Heartbreaker (il 1955-03-05)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
22:06
20Good Rockin’ Tonight (Mar. 19, 1955)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (il 1955-03-19)
registrazione dal vivo cover di:
Good Rockin’ Tonight (il 1955-03-19)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
32:36
21Baby Let’s Play House (Mar. 19, 1955)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (il 1955-03-19)
registrazione dal vivo cover di:
Baby Let’s Play House (il 1955-03-19)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
22:22
22Blue Moon of Kentucky (Mar. 19, 1955)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (il 1955-03-19)
registrazione dal vivo cover di:
Blue Moon of Kentucky (il 1955-03-19)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
21:47
23I Got a Woman (Mar. 19, 1955)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (il 1955-03-19)
registrazione dal vivo cover di:
I Got a Woman (il 1955-03-19)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
23:03
24That’s All Right (Mar. 19, 1955)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (il 1955-03-19)
registrazione dal vivo cover di:
That’s All Right (il 1955-03-19)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
32:17
25Tweedlee Dee (Apr. 30, 1955)
registrata presso:
Gladewater High School in Gladewater, Texas, Stati Uniti (il 1955-04-30)
registrazione dal vivo cover di:
Tweedlee Dee (il 1955-04-30)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:47
26Interview With Mae Boren Axton (May 12 or July 28, 1955)
3:19
27That’s All Right (May 26, 1955)
registrata a:
Meridian, Mississippi, Stati Uniti (il 1955-05-26)
registrazione dal vivo cover di:
That’s All Right (il 1955-05-26)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
32:37
28I’m Left, You’re Right, She’s Gone (July 2, 1955)
registrazione dal vivo cover di:
I’m Left, You’re Right, She’s Gone (il 1955-07-02)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
23:16
29Baby Let’s Play House (Aug. 20, 1955)
registrazione dal vivo cover di:
Baby Let’s Play House (il 1955-08-20)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
23:19
30Maybellene (Aug. 20, 1955)
registrazione dal vivo cover di:
Maybellene (il 1955-08-20)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
3:09
31That’s All Right (Aug. 20, 1955)
registrazione dal vivo cover di:
That’s All Right (il 1955-08-20)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
32:49
32Interview With Bob Neal (between Aug. 29-31, 1955)
5:31