A Boy From Tupelo: The Complete 1953–55 Recordings

~ Release by Elvis Presley (see all versions of this release, 3 available)

Annotation

3 CD box set

Annotation last modified on 2013-10-09 03:06 UTC.

Tracklist

1CD: Masters and Demos
2CD: The Sessions
3CD: Live and Radio Recordings
#TitleRatingLength
1That’s All Right (Oct. 16, 1954)32:52
2Blue Moon of Kentucky (Oct. 16, 1954)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1954-10-16)
live cover recording of:
Blue Moon of Kentucky (on 1954-10-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
22:23
3Shake, Rattle and Roll (Jan. 6, 1955)22:24
4Fool, Fool, Fool (Jan. 6, 1955)
live cover recording of:
Fool, Fool, Fool (on 1955-01-06)
lyricist and composer:
Ahmet Ertegun (US songwriter/producer)
publisher:
Unichappell Music and Unichappell Music, Inc.
41:59
5Hearts of Stone (Jan. 15, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-15)
live cover recording of:
Hearts of Stone (on 1955-01-15)
writer:
Rudy Jackson (1950s-60s R&B vocalist) and Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
2:02
6That’s All Right (Jan. 15, 1955)31:52
7Tweedlee Dee (Jan. 15, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-15)
live cover recording of:
Tweedlee Dee (on 1955-01-15)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
2:51
8Shake, Rattle and Roll (Jan. 19, 1955)22:23
9KSIJ Radio Commercial With DJ Tom Perryman (1955)
0:16
10Money Honey (Jan. 22, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-22)
live cover recording of:
Money Honey (on 1955-01-22)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
22:43
11Blue Moon of Kentucky (Jan. 22, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-22)
live cover recording of:
Blue Moon of Kentucky (on 1955-01-22)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
22:04
12I Don’t Care If the Sun Don’t Shine (Jan. 22, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-22)
live cover recording of:
I Don’t Care If the Sun Don’t Shine (on 1955-01-22)
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
22:33
13That’s All Right (Jan. 22, 1955)31:54
14Tweedlee Dee (Mar. 5, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-03-05)
live cover recording of:
Tweedlee Dee (on 1955-03-05)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
2:15
15Money Honey (Mar. 5, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-03-05)
live cover recording of:
Money Honey (on 1955-03-05)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
22:17
16Hearts of Stone (Mar. 5, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-03-05)
live cover recording of:
Hearts of Stone (on 1955-03-05)
writer:
Rudy Jackson (1950s-60s R&B vocalist) and Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
1:37
17Shake, Rattle and Roll (Mar. 5, 1955)21:39
18Little Mama (Mar. 5, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-03-05)
live cover recording of:
Little Mama (on 1955-03-05)
composer:
Willis Carroll, Ahmet Ertegun (US songwriter/producer), Carmen Taylor (Alias: Elena Madera) and Jerry Wexler
publisher:
Unichappell Music, Inc.
2:03
19You’re a Heartbreaker (Mar. 5, 1955)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-03-05)
live cover recording of:
You’re a Heartbreaker (on 1955-03-05)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
22:06
20Good Rockin’ Tonight (Mar. 19, 1955)
recorded at:
Eagles Hall in Houston, Texas, United States (on 1955-03-19)
live cover recording of:
Good Rockin’ Tonight (on 1955-03-19)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
32:36
21Baby Let’s Play House (Mar. 19, 1955)
recorded at:
Eagles Hall in Houston, Texas, United States (on 1955-03-19)
live cover recording of:
Baby Let’s Play House (on 1955-03-19)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
22:22
22Blue Moon of Kentucky (Mar. 19, 1955)
recorded at:
Eagles Hall in Houston, Texas, United States (on 1955-03-19)
live cover recording of:
Blue Moon of Kentucky (on 1955-03-19)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
21:47
23I Got a Woman (Mar. 19, 1955)
recorded at:
Eagles Hall in Houston, Texas, United States (on 1955-03-19)
live cover recording of:
I Got a Woman (on 1955-03-19)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
23:03
24That’s All Right (Mar. 19, 1955)
recorded at:
Eagles Hall in Houston, Texas, United States (on 1955-03-19)
live cover recording of:
That’s All Right (on 1955-03-19)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
32:17
25Tweedlee Dee (Apr. 30, 1955)
recorded at:
Gladewater High School in Gladewater, Texas, United States (on 1955-04-30)
live cover recording of:
Tweedlee Dee (on 1955-04-30)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
2:47
26Interview With Mae Boren Axton (May 12 or July 28, 1955)
3:19
27That’s All Right (May 26, 1955)
recorded in:
Meridian, Mississippi, United States (on 1955-05-26)
live cover recording of:
That’s All Right (on 1955-05-26)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
32:37
28I’m Left, You’re Right, She’s Gone (July 2, 1955)
live cover recording of:
I’m Left, You’re Right, She’s Gone (on 1955-07-02)
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
23:16
29Baby Let’s Play House (Aug. 20, 1955)
live cover recording of:
Baby Let’s Play House (on 1955-08-20)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
23:19
30Maybellene (Aug. 20, 1955)
live cover recording of:
Maybellene (on 1955-08-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
3:09
31That’s All Right (Aug. 20, 1955)
live cover recording of:
That’s All Right (on 1955-08-20)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
32:49
32Interview With Bob Neal (between Aug. 29-31, 1955)
5:31