50 Timeless Top Retro Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La Bamba (remastered)
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (am 1958-11-17)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Ritchie Valens4.752:02
2Stand by Me (remastered 2015)
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:53
3At Last (remastered)
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.52:58
4My Baby Just Cares for Me (remastered 2013)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:39
5(We’re Gonna) Rock Around the Clock (remastered)
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:09
6Unchain My Heart (remastered 2020)
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Solo-Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
Phillip Guilbeau (am 1961-07-05) und John Hunt (trumpeter) (am 1961-07-05)
Hintergrundgesang:
The Raelettes (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
cover recording of:
Unchain My Heart (am 1961-07-05)
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ray Charles and His Orchestra3.652:51
7Moon River (Analog Remastering)
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Audrey Hepburn1:48
8Johnny B. Goode (remastered)
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:43
9The Great Pretender (remastered)
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:39
10Love Me Tender (remastered)
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley3.552:42
11Summertime Blues (remastered)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:55
12Great Balls of Fire (remastered 2015)
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4.351:51
13Please Mr. Postman (remastered 2017)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:28
14Misirlou (original Soundtrack from “Pulp Fiction” - remastered)
Produzent(in):
Jim Pewter
Dick Dale2:38
15Hit the Road Jack (remastered 2019)
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
Phillip Guilbeau (am 1961-07-05) und John Hunt (trumpeter) (am 1961-07-05)
Hintergrundgesang:
The Raelettes (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05) und Margie Hendrix (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 248)
recording of:
Hit the Road Jack (am 1961-07-05)
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.451:56
16You Are My Destiny (remastered)
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
conductor:
Joe Sherman
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963)
recording of:
You Are My Destiny (in 1963)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, PW Ballads und Songs of Universal, Inc. (BMI)
Paul Anka2:28
17Tous les garçons et les filles (remastered)
vocals:
Françoise Hardy (am 1962-04-25)
Orchester:
Roger Samyn et son orchestre (am 1962-04-25)
conductor:
Roger Gustave Samyn (am 1962-04-25)
recording of:
Tous les garçons et les filles (All the Boys and Girls) (am 1962-04-25)
Texter:
Françoise Hardy
Komponist(in):
Françoise Hardy und Roger Gustave Samyn
publisher:
Alpha Éditions Musicales
Françoise Hardy3.053:06
18You’ve Really Got a Hold on Me (remastered)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 10) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
You’ve Really Got a Hold on Me
Texter und Komponist(in):
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Smokey Robinson4.52:57
19Lollipop (remastered)
Produzent(in):
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:07
20I Walk the Line (remastered 2020)
Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1956-04-02)
E-Gitarre:
Luther Perkins (am 1956-04-02)
Kontrabass:
Marshall Grant (am 1956-04-02)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) und Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-04-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 76)
recording of:
I Walk the Line (am 1956-04-02)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:43
21He’s So Fine (remastered)
recording of:
He’s So Fine (in 1962)
Texter und Komponist(in):
Ronnie Mack (1960s US songwriter)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:53
22Runaway (remastered)
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.42:18
23Let’s Twist Again (remastered 2017)
vocals:
Chubby Checker (in 1961-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 40)
recording of:
Let’s Twist Again (in 1961-06)
Texter:
Kal Mann
Komponist(in):
Dave Appell
publisher:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. und Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:14
24Theme From a Summer Place (remastered 2017 from “A Summer Place” original Sondtrack)
Interpret(in):
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
cover recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Percy Faith3.652:22
25Mr. Sandman (remastered 2017)
Produzent(in):
Archie Bleyer
Interpret(in):
The Chordettes
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:23
26Roll Over Beethoven (remastered)
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
Tenorsaxophon:
Leroy C. Davis (am 1956-04-19)
Trompete:
Vincent Pitts (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1956)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 97)
recording of:
Roll Over Beethoven (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry4.152:22
27Diana (remastered)
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:18
28Zou Bisou Bisou (remastered 2017)
Gillian Hills2:14
29Dream Lover (remastered 2018)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:30
30Only the Lonely (remastered)
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1960-03-26)
Produzent(in):
Fred Foster
Gitarre:
Hank Garland (am 1960-03-26) und Harold Bradley (am 1960-03-26)
Klavier:
Floyd Cramer (am 1960-03-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1960-03-26)
Hintergrundgesang:
Joe Melson (am 1960-03-26) und The Anita Kerr Singers (mixed vocal group) (am 1960-03-26)
vocals:
Roy Orbison (am 1960-03-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 2) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (am 1960-03-26)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:24
31Green Onions (remastered)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:53
32Venus (remastered)
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:21
33The Loco‐Motion (remastered 2018)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:27
34(The Man Who Shot) Liberty Valance (remastered 2015)
conductor:
Irvin Talbot
recording of:
The Man Who Shot Liberty Valance
Texter:
Hal David
Komponist(in):
Burt Bacharach
Gene Pitney42:55
35Hound Dog (remastered)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley3.652:15
36Will You Love Me Tomorrow (remastered 2017 From “dirty Dancing” original Soundtrack)
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:41
37Marina (remastered)
Marino Marini2:55
38Smile (remastered 2019)
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:53
39Things (remastered 2015)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
recording of:
Things
Texter und Komponist(in):
Bobby Darin
publisher:
Alley Music Corp. und Trio Music Company
Bobby Darin2:33
40These Arms of Mine (remastered 2017 From “dirty Dancing” original Soundtrack)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.52:28
41Sway (Quien Sera) (remastered 2016)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin42:41
42Breaking Up Is Hard to Do (remastered 2018)
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
Texter und Komponist(in):
Howard Greenfield und Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers und Aldon (in 1962)
Neil Sedaka3.252:16
43Mambo Italiano (remastered)
recording of:
Mambo Italiano (italian)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Übersetzer:
Gaspare Gabriele Abbate (SIAE songwriter) und Gian Carlo Testoni
übersetzte Version von:
Mambo Italiano (original english version)
Renato Carosone53:01
44Put Your Head on My Shoulder (remastered 2019)
recording of:
Put Your Head on My Shoulder
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Chrysalis Standards Inc. und Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka2:42
45Surfin’ Safari (remastered)
Techniker(in):
Chuck Britz
Produzent(in):
Nick Venet und Murry Wilson
Sologesang:
Mike Love (Beach Boys) (in 1962-06, am 1962-06-13)
recording of:
Surfin’ Safari (am 1962-06-13)
Verfasser(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys42:04
46Tammy (remastered 2015)
cover recording of:
Tammy
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Sam Cooke3:32
47That’s Amore (remastered 2016)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:05
48I Just Want to Make Love to You (remastered)
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:03
49Rawhide (remastered 2015)
vocals:
Frankie Laine (am 1958-06-19)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1958-06-19)
recording of:
Rawhide (am 1958-06-19)
publisher:
Mrs. Ned Washington (wife of American lyricist Ned Washington)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
Catharine Hinen Music, Largo Music, MCA Music Ltd., Patti Washington Music und Volta Music Corporation
Frankie Laine42:00
50Don’t Play That Song (You Lied) (remastered)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-03-03)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Al Caiola (am 1962-03-03), Charles Macey (am 1962-03-03) und Art Ryerson (am 1962-03-03)
Klavier:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1962-03-03)
Kontrabass [bass]:
Jack Lesberg (am 1962-03-03)
Posaune:
Eddie Bert (am 1962-03-03)
Saiteninstrumente [eight strings] und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1962-03-03)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-03-03)
vocals:
Ben E. King (am 1962-03-03)
conductor:
Jimmy Haskell (am 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (am 1962-03-03)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Ben E. King52:52

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