The Classical Album 2005

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1En Aranjuez con tu amor
Andrea Bocelli3:26
2Granada
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Granada (original Spanish version)
Texter und Komponist(in):
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. und Peer International Corporation (BMI) (vom 1932 bis heute)
Bryn Terfel4:41
3Viva!
Orchester:
BOND (female neo-classical quartet)
recording of:
Viva!
Komponist(in):
Derek Strange und Antonio Vivaldi (Italian baroque composer and violinist)
basiert auf:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
bond3:16
4Pokarekare Ana
Produzent(in):
Giles Martin (producer)
Cello und Solo-Cello:
François Rive (cellist)
Gitarre und Gitarre [guitars]:
Robbie McIntosh (English guitarist for The Pretenders)
Chorgesang:
Metro Voices und Te Tau Choir
Solo vocals:
Hayley Westenra
vocals:
Metro Voices und Hayley Westenra
Orchester:
Royal Philharmonic Orchestra
conductor:
Ian Dean (conductor) und Jenny O’Grady
chorus master:
Jenny O’Grady
arranger:
Sarah Class (composer, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 2003)
recording of:
Pokarekare Ana
Texter:
[anonymous] (special purpose artist)
Komponist(in):
[anonymous] (special purpose artist) und [traditional] (special purpose artist)
Hayley Westenra33:19
5Mi batte il cor... O paradiso
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
übersetzte Version von:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Luciano Pavarotti3:31
6Una Mattina
recording engineer:
Ludovico Einaudi (Italian composer and pianist) und Michael Seberich (Italian engineer and producer)
Produzent(in):
Ludovico Einaudi (Italian composer and pianist)
Mix:
Michael Seberich (Italian engineer and producer)
Klavier:
Ludovico Einaudi (Italian composer and pianist) und Alessandro Simonetto (producer / engineer / pianist / harpsichordist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italien (in 2004-06)
recording of:
Una mattina
Komponist(in):
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi4.653:23
7Time to Say Goodbye
Techniker(in) und Mix:
Pete Schwier (producer, mixing and recording engineer) und Leon Zervos (audio engineer)
Produzent(in):
Nick Patrick
Akustikgitarre:
Bryan Adams (Canadian singer/songwriter)
Cello:
Adrian Bradbury (British cellist)
Mezzosoprangesang:
Katherine Jenkins (mezzo-soprano)
Orchester:
The Czech Film Orchestra
Orchestrator(in):
James Banbury
phonographisches Urheberrecht (℗) von:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Texter:
Lucio Quarantotto
Komponist(in):
Francesco Sartori
publisher:
Sugar S.r.l. (company credits only; do NOT use as release label), Sugar Songs UK Limited, Double Marpot Edizione Musicali (in 1995) und Insieme S.r.l. (not for release label use!) (in 1995)
Katherine Jenkins53:44
8Canon
Geige / Violine:
Duel (UK violinist duo that plays classical music)
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Duel4:01
9Allegro from "Spring"
recording engineer:
Jürgen Bulgrin (sound engineer) (von 2004-05-20 bis 2004-05-23)
Techniker(in):
Philip Siney (sound engineer)
Produzent(in):
Dominic Fyfe
Bratsche / Viola:
Julian Rachlin (violinist / violist) (von 2004-05-20 bis 2004-05-23)
Cello:
Maarten Jansen (cellist) (von 2004-05-20 bis 2004-05-23)
Cembalo und Orgel:
Jan Jansen (Dutch clarinetist) (von 2004-05-20 bis 2004-05-23)
Geige / Violine:
Henk Rubingh (violinist) (von 2004-05-20 bis 2004-05-23) und Candida Thompson (violinist) (von 2004-05-20 bis 2004-05-23)
Kontrabass:
Stacy Watton (von 2004-05-20 bis 2004-05-23)
Solo-Geige / Violine:
Janine Jansen (Dutch violinist and violist) (von 2004-05-20 bis 2004-05-23)
theorbo:
Elizabeth Kenny (lutenist) (von 2004-05-20 bis 2004-05-23)
aufgenommen bei:
Beurs van Berlage: Yakult Hall in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 2004-05-20 bis 2004-05-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 2004-05-20 bis 2004-05-23)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Janine Jansen3:19
10Ombra mai fù
Countertenorgesang [Serse]:
Andreas Scholl (countertenor)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
Andreas Scholl2:59
11The Unknown Soldier
Produzent(in):
Jaz Coleman
Đàn Tranh:
Trần Quang Hải
Geige / Violine:
Nigel Kennedy (violinist)
Orchester:
Symfonický orchestr hlavního města Prahy FOK (Prager Symphoniker)
conductor:
Peter Scholes (NZ composer & conductor)
zusätzlich conductor:
Petr Pýcha
arranger und Orchestrator(in):
Jaz Coleman
instrumental cover recording of:
The Unknown Soldier
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. und Nipper Music Co., Inc. (in 1968)
Nigel Kennedy5:44
12Nuns' Chorus
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (von 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
chorus master:
Jerold Ottley (conductor) (von 1989-02-24 bis 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (von 1989-02-24 bis 1989-02-25)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
teilweise recording of:
Casanova: Nuns’ Chorus & Laura’s Song
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
Kiri Te Kanawa3:33
13Chopin Etude No.1 op. 25
Klavier:
Nelson Freire (pianist) (in 2002-01)
aufgenommen bei:
Potton Hall in Westleton, Suffolk, England, Vereinigtes Königreich (in 2002-01)
recording of:
Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto (in 2002-01)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 26) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 104)
Teil von:
Études, op. 25
Nelson Freire2:26
14Flight of the Bumblebee
Cello:
Julian Lloyd Webber (cellist)
Orchester:
English Chamber Orchestra
conductor:
Nicholas Cleobury (conductor)
arranger:
Christopher Palmer (arranger)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Julian Lloyd Webber1:10
15For the Love of a Princess
recording engineer und Mix:
Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Jonathan Allen (engineer)
Produzent(in):
James Horner (American score composer) und Shawn Murphy (producer/engineer)
assistierendes Editing:
Christine Cholvin und Joe E. Rand (editor)
Editing:
Jim Henrikson
Chorgesang:
Choir of Westminster Abbey
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (English organist and choral conductor)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
For the Love of a Princess (Braveheart)
Komponist(in):
James Horner (American score composer)
Teil von:
Braveheart
James Horner4.54:08
16Now We Are Free
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Hans Zimmer & Lisa Gerrard44:14
17Měsíčku na nebi hlubokém (O Silver Moon)
Soprangesang [Rusalka]:
Renée Fleming (soprano) (in 1996-12)
Orchester:
London Symphony Orchestra (in 1996-12)
conductor:
Sir Georg Solti (conductor) (in 1996-12)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1996-12)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1996-12)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Renée Fleming35:57
18Amore e Musica
Programmierung und Produzent(in):
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
‘Robo’ Brad Spence und Chris Barrett (British sound engineer, @AIR Lyndhurst Studios)
Techniker(in):
Jon Bailey (engineer) und Nick Woollage
Mix:
Mick Guzauski
Gitarre [guitars]:
Dean Parks (American session guitarist)
Keyboard [keyboards]:
Simon Franglen (English score composer)
Tenor-Gesang:
Russell Watson (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Simon Hale
Orchestrator(in):
Simon Hale
mixed at:
Barking Doctor Studio in Mount Kisco, New York, Vereinigte Staaten
recording of:
Amore e musica
Texter:
Felice di Salvo
Komponist(in):
Roberto Pacco
Russell Watson3:58
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Veröffentlichung

ASIN:US: B000A8AXWW [Info]