Legends II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:02
2Changes
recording engineer:
Ken Scott (UK record producer & engineer) (von 1971-07-09 bis 1971-08-06)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
Bassgitarre:
Trevor Bolder (British bassist) (von 1971-07-09 bis 1971-08-06)
E-Gitarre:
Mick Ronson (British guitarist) (von 1971-07-09 bis 1971-08-06)
Klavier:
Rick Wakeman (von 1971-07-09 bis 1971-08-06)
Saxophon und Sologesang:
David Bowie (English singer‐songwriter) (von 1971-07-09 bis 1971-08-06)
Schlagzeug:
Mick Woodmansey (British drummer) (von 1971-07-09 bis 1971-08-06)
Hintergrundgesang:
David Bowie (English singer‐songwriter) (von 1971-07-09 bis 1971-08-06) und Mick Ronson (British guitarist) (von 1971-07-09 bis 1971-08-06)
Orchester:
BBC Symphony Orchestra (von 1971-07-09 bis 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
Saiteninstrumente arranger:
Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Co. LLC. (in 1976)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-07-09 bis 1971-08-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 127), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 200) und Indie 88: Top 500 Indie Rock Songs (Nummer: 201)
recording of:
Changes (David Bowie song) (von 1971-07-09 bis 1971-08-06)
Texter:
David Bowie (English singer‐songwriter)
Komponist(in):
David Bowie (English singer‐songwriter) und Daniel Licht
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing (do not use as a release label!), Tintoretto Music und Universal/MCA Music Publishing Pty Ltd
David Bowie4.453:34
3Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:13
4Walk of Life
Assistent recording engineer:
Steve Jackson (recording engineer)
Techniker(in):
Neil Dorfsman
Produzent(in):
Neil Dorfsman und Mark Knopfler
assistierende(r) Mix:
David Greenberg (Rockin’ Reel Studios engineer) und Bruce Lampcov
Bassgitarre:
John Illsley
Gitarre:
Mark Knopfler
Keyboard:
Alan Clark (keyboardist) und Guy Fletcher (keyboardist)
Schlagzeug:
Omar Hakim
Hintergrundgesang:
Guy Fletcher (keyboardist) und John Illsley
vocals:
Mark Knopfler
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (von 1984-10 bis 1985-02)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Walk of Life von Dire Straits
recording of:
Walk of Life
Texter und Komponist(in):
Mark Knopfler
publisher:
Chariscourt Ltd. und Rondor Music (London) Ltd.
Dire Straits4.054:07
5Band on the Run
recording engineer:
Geoff Emerick (British recording engineer) (von 1973-09-01 bis 1973-10)
assistierende(r) Techniker(in):
Monday (engineer) (von 1973-09-01 bis 1973-11) und Pete Swettenham (von 1973-09-01 bis 1973-11)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Mix:
Geoff Emerick (British recording engineer) (von 1973-10 bis 1973-11)
Akustikgitarre und E-Gitarre:
Denny Laine (von 1973-09-01 bis 1973-10) und Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Bassgitarre, Hybrid-Piano, Schlagzeug, Synthesizer und Sologesang:
Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Horn und Saiteninstrumente:
Beaux Arts Orchestra (von 1973-09-01 bis 1973-10)
Moog:
Linda McCartney (von 1973-09-01 bis 1973-10)
Hintergrundgesang:
Denny Laine (von 1973-09-01 bis 1973-10), Linda McCartney (von 1973-09-01 bis 1973-10) und Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Orchestrator(in):
Tony Visconti
phonographisches Urheberrecht (℗) von:
MPL Communications Inc/Ltd (Paul McCartney‐related, NYC‐based company)
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1973-11)
recording of:
Band on the Run (von 1973-09-01 bis 1973-10)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
ATV Music Corp. und McCartney Music, Inc.
Paul McCartney & Wings45:12
6The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:27
7I Got You
Techniker(in) und Produzent(in):
David Tickle
Bass:
Nigel Griggs
Gitarre:
Neil Finn
Keyboard:
Tim Finn und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
Perkussion:
Noel Crombie
Schlagzeug:
Malcolm Green (UK/Australian drummer)
vocals:
Neil Finn und Tim Finn
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1980) und Mushroom Records (in 2006)
recording of:
I Got You
Texter und Komponist(in):
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music (Mushroom label’s publishing company)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 11)
Split Enz3.53:31
8Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:13
9Uptown Girl
assistierende(r) Techniker(in):
Scott James (US recording engineer) und Mike Mairé
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
E-Gitarre:
David Brown (guitarist for Billy Joel) (in 1983)
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Uptown Girl von Billy Joel (American singer‐songwriter and pianist)
Teil von:
BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 443)
recording of:
Uptown Girl (in 1983)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:16
10When Tomorrow Comes
Techniker(in):
Jon Bavin und Emmanuel Guiot (sound engineer)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Remaster von:
When Tomorrow Comes von Eurythmics
recording of:
When Tomorrow Comes
Orchestrator(in):
Michael Kamen (American score composer)
Texter und Komponist(in):
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und RCA Music Ltd. (publisher)
Eurythmics44:18
11Wild World
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens3.93:21
12What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
13You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
Roy Orbison4.553:32
14Just Like a Woman
recording of:
Just Like a Woman
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
Bob Dylan4:42
15Reminiscing
recorded in:
Australien (in 1978-03)
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1978-03)
E-Gitarre:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
Gast-Hybrid-Piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
Saiteninstrumente:
Rick Formosa (in 1978-03)
Schlagzeug:
Derek Pellicci (in 1978-03)
Solo-Flügelhorn:
Bob Venier (brass) (in 1978-03)
Solo-Trompete:
Bill Harrower (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 17) und Billboard Year-End Hot 100 singles of 1978 (Nummer: 65)
recording of:
Reminiscing (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:12
16It’s Too Late
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
Conga und E-Gitarre:
Danny Kortchmar (Danny Kootch)
E-Bass:
Charles Larkey
Hybrid-Piano:
Ralph Schuckett (keyboard, composer, producer)
Klavier:
Carole King
Schlagzeug:
Joel O'Brien
Sopransaxophon:
Curtis Amy
vocals:
Carole King
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 219), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 345) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 469)
recording of:
It’s Too Late
Texter:
Toni Stern
Komponist(in):
Carole King
gewidmet:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Carole King43:55
17He Ain’t Heavy, He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:14
18Bridge Over Troubled Water
recording engineer:
Ted Brosnan (am 1969-11-09)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-09)
Gitarre:
Fred Carter, Jr. (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
Keyboard:
Larry Knechtel (am 1969-11-09)
Saiteninstrumente:
Ernie Freeman (am 1969-11-09) und Jimmie Haskell (am 1969-11-09)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-09)
vocals:
Art Garfunkel (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 1), The Co-Op: Top 10 British Funeral Songs (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 58) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 66)
recording of:
Bridge Over Troubled Water (am 1969-11-09)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:54
2▶Copy Control CD

Nennungen

Veröffentlichung

gedruckt in:Australien
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Australia (defunct holding company, not for release label use!) (in 2003)
Discogs:https://www.discogs.com/release/9024936 [Info]
ASIN:DE: B0000D8HKM [Info]