Now That’s a Download: Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
2Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:03
3Don’t Worry Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.553:54
4Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:35
5It Ain’t What You Do It’s the Way That You Do It
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three & Bananarama2:35
6Golden Brown
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers3:08
7Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:24
8The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:52
9Jealous Guy (edit)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Bryan Ferry4:54
10Souvenir
Produzent(in):
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
phonographisches Urheberrecht (℗) von:
Virgin Records (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 1981)
recording of:
Souvenir
Verfasser(in):
Martin Cooper (OMD and The Listening Pool) und Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music und Virgin Music (Publishers) Ltd.
Orchestral Manoeuvres in the Dark33:37
11Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
12Never Never
Produzent(in):
The Assembly (synthpop)
vocals:
Feargal Sharkey
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1983)
recording of:
Never Never
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sonet (Scandinavia) (in 1983)
The Assembly3:43
13Everyday Is Like Sunday
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Everyday Is Like Sunday
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.63:34
14Ashes to Ashes
recording engineer:
David Bowie (English singer‐songwriter) (von 1980-02-15 bis 1980-06) und Tony Visconti (von 1980-02-15 bis 1980-06)
assistierende(r) Techniker(in):
Larry Alexander (producer/engineer) (von 1980-02 bis 1980-04) und Jeff Hendrickson (sound engineer) (von 1980-02 bis 1980-04)
Produzent(in):
David Bowie (English singer‐songwriter) und Tony Visconti
E-Bass:
George Murray (American bass guitarist) (von 1980-02-15 bis 1980-06)
Gitarre:
Carlos Alomar (von 1980-02-15 bis 1980-06)
Gitarrensynthesizer [Roland GR-500 guitar synthesizer]:
Chuck Hammer (guitarist, soundtrack composer) (von 1980-02-15 bis 1980-06)
Klavier [flanged piano]:
Roy Bittan (von 1980-02-15 bis 1980-06)
Minimoog und Analoger Synthesizer [Yamaha CS-80]:
Andy Clark (UK keyboard and synthesizer player) (von 1980-02-15 bis 1980-06)
Perkussion und shakers:
Tony Visconti (von 1980-02-15 bis 1980-06)
Schlagzeug:
Dennis Davis (drummer) (von 1980-02-15 bis 1980-06)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (von 1980-04 bis 1980-06)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1992) und Tintoretto Music (in 1992)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1980-02-15 bis 1980-06) und Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1980-04 bis 1980-06)
recording of:
Ashes to Ashes (von 1980-02-15 bis 1980-06)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.24:25
15Morning Train (Nine to Five)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton3:16
16Black Man Ray
Produzent(in):
Walter Becker
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis33:36
17Lavender
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (in 1985-03)
recording of:
Lavender (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
basiert auf:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:41
18(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:25
19Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
Bearbeitung von:
Solid von Ashford & Simpson
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:22
20Only You
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Eric Radcliffe (UK producer / engineer / musician) und Yazoo (80s British synthpop duo, aka Yaz)
zusätzliche(r) Produzent(in):
Daniel Miller (British music producer and founder of Mute Records)
Keyboard und Synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing und Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:07
21Sunshine on Leith
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Dave Mattacks
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
recording of:
Sunshine on Leith
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Proclaimers45:16
22It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:54
23Rio
Produzent(in):
Colin Thurston
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran45:12
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