| # | Title | Artist | Rating | Length |
|---|
| 1 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: I. Coro „Wachet auf, ruft uns die Stimme“- choir vocals:
- Gächinger Kantorei Stuttgart (from 1983 until 1984)
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- adaptations:
- Prelude to Peace
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- adaptations:
- Prelude to Peace
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 6:07 |
| 2 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: II. Recitativo (Tenor) „Er kommt, er kommt“- tenor vocals:
- Aldo Baldin (from 1983 until 1984)
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 1:10 |
| 3 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: III. Aria Duetto (Sopran, Bass) „Wenn kömmst du, mein Heil“- bass vocals:
- Philippe Huttenlocher (from 1983 until 1984)
- soprano vocals:
- Arleen Augér (from 1983 until 1984)
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 5:06 |
| 4 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: IV. Choral (Tenor) „Zion hört die Wächter singen“- choir vocals:
- Gächinger Kantorei Stuttgart (from 1983 until 1984)
- tenor vocals:
- Aldo Baldin
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 3:51 |
| 5 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: V. Recitative (Bass) „So geh herein zu mir“- bass vocals:
- Philippe Huttenlocher (from 1983 until 1984)
- vocals:
- Philippe Huttenlocher
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 1:30 |
| 6 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: VI. Aria Duetto (Sopran, Bass) „Mein Freund ist mein“- bass vocals:
- Philippe Huttenlocher (from 1983 until 1984)
- soprano vocals:
- Arleen Augér (from 1983 until 1984)
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 4:53 |
| 7 | Kantate, BWV 140 „Wachet auf, ruft uns die Stimme“: VII. Choral „Gloria sei dir gesungen“- choir vocals:
- Gächinger Kantorei Stuttgart (from 1983 until 1984)
- orchestra:
- Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
- conductor and chorus master:
- Helmuth Rilling (from 1983 until 1984)
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1983-09 until 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- lyricist:
- Philipp Nicolai
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Breitkopf 389 Choralgesänge (number: 329)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1983 until 1984)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- lyricist:
- Philipp Nicolai
- composer:
- Johann Sebastian Bach (in 1731)
- part of:
- Breitkopf 389 Choralgesänge (number: 329)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 1:34 |
| 8 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: I. Coro „Lobe den Herrn, meine Seele“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 1:20 |
| 9 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: II. Choral (Sopran) „Du Friedefürst, Herr Jesu Christ“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:21 |
| 10 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: III. Recitativo (Tenor) „Wohl dem, des Hülfe der Gott Jakob ist“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 0:25 |
| 11 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: IV. Aria (Tenor) „Tausendfaches Unglück, Schrecken“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:18 |
| 12 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: V. Aria (Bass) „Der Herr ist König ewiglich“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 1:41 |
| 13 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: VI. Aria (Tenor) „Jesu, Retter deiner Herde“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:28 |
| 14 | Kantate, BWV 143 „Lobe den Herrn, meine Seele“: VII. Coro „Alleluja. Gedenk Herr, jetzund an dein Amt“ | Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:28 |
| 15 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: I. Coro „Nimm, was dein ist, und gehe hin“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:12 |
| 16 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: II. Aria (Alt) „Murre nicht, lieber Christ“- alto vocals:
- Helen Watts
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 5:22 |
| 17 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: III. Choral „Was Gott tut, das ist wohlgetan“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Samuel Rodigast and Johann Sebastian Bach (in 1724)
- part of:
- Breitkopf 389 Choralgesänge (number: 338)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 1:01 |
| 18 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: IV. Recitativo (Tenor) „Wo die Genügsamkeit regiert“- tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 1:08 |
| 19 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: V. Aria (Sopran) „Genügsamkeit ist ein Schatz in diesem Leben“- soprano vocals:
- Arleen Augér
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 2:50 |
| 20 | Kantate, BWV 144 „Nimm, was dein ist, und gehe hin“: VI. Choral „Was mein Gott will, das gscheh allzeit“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
- recording of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit" (in 1978-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1724-02-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Breitkopf 389 Choralgesänge (number: 343)
- part of:
- Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
| Bach‐Collegium Stuttgart, Helmuth Rilling | | 1:23 |
| 21 | Kantate, BWV 145 „Ich lebe, mein Herze, zu deinem Ergötzen“: I. Aria Duetto (Sopran, Tenor) „Ich lebe, mein Herze, zu deinem Ergötzen“- soprano vocals:
- Costanza Cuccaro
- tenor vocals:
- Adalbert Kraus
- orchestra:
- Württembergisches Kammerorchester Heilbronn
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
- recording of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen" (in 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1729-04-19)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 3:27 |
| 22 | Kantate, BWV 145 „Ich lebe, mein Herze, zu deinem Ergötzen“: II. Recitativo (Tenor) „Nun fordre, Moses, wie du willt“- tenor vocals:
- Adalbert Kraus
- orchestra:
- Württembergisches Kammerorchester Heilbronn
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
- recording of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt" (in 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1729-04-19)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 1:01 |
| 23 | Kantate, BWV 145 „Ich lebe, mein Herze, zu deinem Ergötzen“: III. Aria (Bass) „Merke, mein Herze, beständig nur dies“- bass vocals:
- Andreas Schmidt
- orchestra:
- Württembergisches Kammerorchester Heilbronn
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
- recording of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies" (in 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1729-04-19)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 3:16 |
| 24 | Kantate, BWV 145 „Ich lebe, mein Herze, zu deinem Ergötzen“: IV. Recitativo (Sopran) „Mein Jesus lebt“- soprano vocals:
- Costanza Cuccaro
- orchestra:
- Württembergisches Kammerorchester Heilbronn
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
- recording of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt" (in 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1729-04-19)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 1:03 |
| 25 | Kantate, BWV 145 „Ich lebe, mein Herze, zu deinem Ergötzen“: V. Choral „Drum wir auch billig fröhlich sein“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Württembergisches Kammerorchester Heilbronn
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
- recording of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein" (in 1984-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1729-04-19)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Nikolaus Herman (in 1560)
- part of:
- Breitkopf 389 Choralgesänge (number: 84)
- part of:
- Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
| Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | | 0:49 |
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