The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▼CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
#TitleRatingLength
1Magnificat Es‐Dur, BWV 243a: I. Coro „Magnificat anima mea Dominum“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:53
2Magnificat Es‐Dur, BWV 243a: IIa. Aria (Sopran II) „Et exsultavit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:17
3Magnificat Es‐Dur, BWV 243a: IIb. Coro (a‐cappella) „Vom Himmel hoch“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:29
4Magnificat Es‐Dur, BWV 243a: III. Aria (Sopran I) „Quia respexit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:28
5Magnificat Es‐Dur, BWV 243a: IV. Coro „Omnes generationes“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:14
6Magnificat Es‐Dur, BWV 243a: Va. Aria (Bass) „Quia fecit mihi magna“
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:02
7Magnificat Es‐Dur, BWV 243a: Vb. Coro „Freut euch und jubiliert“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:20
8Magnificat Es‐Dur, BWV 243a: VI. Aria (Alt, Tenor) „Et misericordia“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
3:25
9Magnificat Es‐Dur, BWV 243a: VIIa. Coro „Fecit potentiam“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:53
10Magnificat Es‐Dur, BWV 243a: VIIb. Coro „Gloria in excelsis Deo“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:02
11Magnificat Es‐Dur, BWV 243a: VIII. Aria (Tenor) „Deposuit potentes“
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:55
12Magnificat Es‐Dur, BWV 243a: IXa. Aria (Alt) „Esurientes implevit bonis“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:55
13Magnificat Es‐Dur, BWV 243a: IXb. Aria (Sopran, Bass) „Virga Jesse floruit“
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:58
14Magnificat Es‐Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) „Suscepit Israel“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03) and Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:39
15Magnificat Es‐Dur, BWV 243a: XI. Coro „Sicut locutus est“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:49
16Magnificat Es‐Dur, BWV 243a: XII. Coro „Gloria Patri et filio“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:11
17h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:08
18h‐Moll‐Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) „Et in unum Dominum“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-03)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-03)
soprano vocals [Soprano I]:
Sibylla Rubens (soprano) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:01
19Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: II. Recitativo (Bass) „Wie, daß der Liebe hohe Kraft“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
0:39
20Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Tenor) e Recitativo (Alt) „Siehe, also wird gesegnet“
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
tenor vocals:
Christoph Prégardien (tenor) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
4:58
21Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: VI. Recitativo (Sopran) „Das ist vor dich, o ehrenwürdger Mann“
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": VII. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
0:55
22Kantate, BWV 69a „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Ach, daß ich tausend Zungen hätte“
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
0:53
23Kantate, BWV 69a „Lobe den Herrn, meine Seele“: III. Aria (Tenor) „Meine Seele, auf, erzähle“
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
5:41
24Kantate, BWV 69a „Lobe den Herrn, meine Seele“: IV. Recitativo (Alt) „Gedenk ich nur zurück“
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
1:34
25Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: II. Recitativo (Bass, Tenor) e Coro „Wie wunderbar, o Gott, sind deine Werke“
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
3:23
26Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: V. Recitativo (Tenor, Coro) „Herr Zebaoth“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:31
27Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VI. Aria (Alt, Tenor) „Herr, fange an und sprich den Segen“
alto vocals:
Ingeborg Danz (mezzo soprano) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
7:01
28Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VII. Recitativo (Bass) „Der Herr, Herr unser Gott“
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:35
29Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VIII. Choral „Lobe den Herren“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:45
30Kantate, BWV 197a „Ehre sei Gott in der Höhe“: V. Recitativo (Bass) „Das Kind ist mein“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:30
31Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VI. Aria (Bass) „Ich lasse dich nicht“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
3:07
32Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VII. Choral „Wohlan! so will ich mich“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:05
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3