The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▼CD: Vol 5. Cantatas CD 2
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1Kantate, BWV 54 „Widerstehe doch der Sünde“: I. Aria (Alto) „Widerstehe doch der Sünde“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (from 1975-03 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
7:18
2Kantate, BWV 54 „Widerstehe doch der Sünde“: II. Recitativo (Alto) „Die Art verruchter Sünden“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (from 1975-03 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
1:32
3Kantate, BWV 54 „Widerstehe doch der Sünde“: III. Aria (Alto) Wer Sünde tut, der ist vom Teufel
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (from 1975-03 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
3:06
4Kantate, BWV 55 „Ich armer Mensch, ich Sündenknecht“: I. Aria (Tenore) „Ich armer Mensch, ich Sündenknecht“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": I. Aria (Tenore) "Ich armer Mensch, ich Sündenknecht" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
5:06
5Kantate, BWV 55 „Ich armer Mensch, ich Sündenknecht“: II. Recitativo (Tenore) „Ich habe wider Gott gehandelt“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": II. Recitativo (Tenore) "Ich habe wider Gott gehandelt" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
1:31
6Kantate, BWV 55 „Ich armer Mensch, ich Sündenknecht“: III. Aria (Tenore) „Erbarme dich!“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": III. Aria (Tenore) "Erbarme dich!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
3:44
7Kantate, BWV 55 „Ich armer Mensch, ich Sündenknecht“: IV. Recitativo (Tenore) „Erbarme dich!“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": IV. Recitativo (Tenore) "Erbarme dich!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
1:33
8Kantate, BWV 55 „Ich armer Mensch, ich Sündenknecht“: V. Choral „Bin ich gleich von dir gewichen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": V. Choral "Bin ich gleich von dir gewichen" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 362)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
1:09
9Kantate, BWV 56 „Ich will den Kreuzstab gerne tragen“: I. Aria (Basso) „Ich will den Kreuzstab gerne tragen“
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
8:08
10Kantate, BWV 56 „Ich will den Kreuzstab gerne tragen“: II. Recitativo (Basso) „Mein Wandel auf der Welt“
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:22
11Kantate, BWV 56 „Ich will den Kreuzstab gerne tragen“: III. Aria (Basso) „Endlich, endlich wird mein Joch“
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
6:28
12Kantate, BWV 56 „Ich will den Kreuzstab gerne tragen“: IV. Recitativo ed Arioso (Basso) „Ich stehe fertig und bereit“
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:07
13Kantate, BWV 56 „Ich will den Kreuzstab gerne tragen“: V. Choral „Komm, o Tod, du Schlafes Bruder“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:34
14Kantate, BWV 57 „Selig ist der Mann“: I. Aria (Basso) „Selig ist der Mann, der die Anfechtung erduldet“
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
4:46
15Kantate, BWV 57 „Selig ist der Mann“: II. Recitativo (Soprano) „Ach! dieser süße Trost“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:53
16Kantate, BWV 57 „Selig ist der Mann“: III. Aria (Soprano) „Ich wünschte mir den Tod“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
7:00
17Kantate, BWV 57 „Selig ist der Mann“: IV. Recitativo (Soprano, Basso) „Ich reiche dir die Hand“
bass vocals:
Walter Heldwein
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
0:33
18Kantate, BWV 57 „Selig ist der Mann“: V. Aria (Basso) „Ja, ja, ich kann die Feinde schlagen“
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
6:18
19Kantate, BWV 57 „Selig ist der Mann“: VI. Recitativo (Soprano, Bass)o „In meiner Schoß liegt Ruh und Leben“
bass vocals:
Walter Heldwein
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
2:03
20Kantate, BWV 57 „Selig ist der Mann“: VII. Aria (Soprano) „Ich ende behende mein irdisches Leben“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
3:35
21Kantate, BWV 57 „Selig ist der Mann“: VIII. Choral „Richte dich, Liebste, nach meinem Gefallen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:07
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3