Gold

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

List of subparts
CD2 tracks 19 to 20: Bonus Tracks

Tracklisting details (Inside booklet)

CD 1:
1. Feeling Good
(P) 1965 PolyGram Records Inc.
2. My Baby Just Cares For Me
(P) 1987 PolyGram Records Inc.
3. I'm Gonna Leave You
(P) 1967 PolyGram Records Inc.
4. Nobody Knows You When You're Down And Out
(P) 1965 PolyGram Records Inc.
5. Love Me Or Leave Me
(P) 1966 PolyGram Records Inc.
6. Don't You Pay Them No Mind
(P) 1967 PolyGram Records Inc.
7. I Love Your Lovin' Ways
(P) 1966 PolyGram Records Inc.
8. Mood Indigo
(P) 1966 PolyGram Records Inc.
9. See-Line Woman
(P) 1964 PolyGram Records Inc.
10. Break Down And Let It All Out
(P) 1966 PolyGram Records Inc.
11. This Year's Kisses
(P) 1965 PolyGram Records Inc.
12. Ne Me Quitte Pas (If You Go Away)
(P) 1965 PolyGram Records Inc.
13. Mississippi Goddam
(P) 1964 PolyGram Records Inc.
14. Take Me To The Water
(P) 1965 PolyGram Records Inc.
15. Work Song
(P) 1967 PolyGram Records Inc.
16. I Hold No Grudge
(P) 1966 PolyGram Records Inc.
17. I'm Going Back Home
(P) 1967 PolyGram Records Inc.
18. Sinnerman
(P) 1967 PolyGram Records Inc.</font>

CD 2:
1. I Put A Spell On You
(P) 1965 PolyGram Records Inc.
2. Don't Let Me Be Misunderstood
(P) 1969 PolyGram Records Inc.
3. I Loves You Porgy
(P) 1964 PolyGram Records Inc.
4. Don't Explain
(P) 1966 PolyGram Records Inc.
5. The Other Woman
(P) 1966 PolyGram Records Inc.
6. What More Can I Say
(P) 1966 PolyGram Records Inc.
7. Night Song
(P) 1964 PolyGram Records Inc.
8. Black Is The Color Of My True Love's Hair
(P) 1964 PolyGram Records Inc.
9. Keeper Of The Flame
(P) 1966 PolyGram Records Inc.
10. Strange Fruit
(P) 1965 PolyGram Records Inc.
11. Don't Smoke In Bed
(P) 1964 PolyGram Records Inc.
12. Wild Is The Wind
(P) 1966 PolyGram Records Inc.
13. Little Girl Blue
(P) 1964 PolyGram Records Inc.
14. One September Day
(P) 1965 PolyGram Records Inc.
15. Tell More And More And Then Some
(P) 1965 PolyGram Records Inc.
16. Blues On Purpose
(P) 1965 PolyGram Records Inc.
17. Take Care Of Business
(P) 1965 PolyGram Records Inc.
18. Gimme Some
(P) 1965 PolyGram Records Inc.</font>

BONUS TRACKS
19. Feeling Good (Joe Claussell Remix - Radio Edit)
(P) 1965 PolyGram Records Inc. Remix produced by Joaquin Joe Claussell for Sacred Rhythm Music
20. See-Line Woman(Masters At Work Remix)
(P) 1964 PolyGram Records Inc. Remix produced by Louie Vega and Kenny Dope for Masters at Work, Inc.

Note: Durations and songwriters are listed along with the publishing information in the booklet. They are left out in this text, but appear in the Tracklisting section of the submission.

_______________

Release information (Inside back)

Illustration by Dan Kitchener at Peacock

Mastered at Universal Digital Mastering Studios, London

With thanks to Tom Lewis, Dickon Stainer, Kevin Phelan, Martyn Scrivens, Kingsley Grimble & Kevin Long.

Other Identifiers
Matrix / Runout (Disc 1): 9808088 01 TECHNICOLOR ifpi L283
Mastering SID Code (Disc 1): IFPI L283
Mould SID Code (Disc 1): IFPI 4606
Matrix / Runout (Disc 2): 9808089 01 TECHNICOLOR ifpi L283
Mastering SID Code (Disc 2): IFPI L283
Mould SID Code (Disc 2): IFPI 4605

Anmerkung zuletzt geändert am 2024-09-23 14:09 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:55
2My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.93:37
3I’m Gonna Leave You
Klavier:
Nina Simone (am 1966-04-01)
vocals:
Nina Simone (am 1966-04-01)
conductor:
Hal Mooney (am 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (am 1966-04-01)
Texter und Komponist(in):
Rudy Stevenson
2.352:18
4Nobody Knows You When You’re Down and Out
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
32:40
5Love Me or Leave Me
Bassgitarre und Perkussion:
Lisle Atkinson (am 1965-10-01)
flute und Gitarre:
Rudy Stevenson (am 1965-10-01)
Klavier:
Nina Simone (am 1965-10-01)
Mundharmonika:
Al Schackman (am 1965-10-01)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1965-10-01)
cover recording of:
Love Me or Leave Me (am 1965-10-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
44:06
6Don’t You Pay Them No Mind
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
cover recording of:
Don’t You Pay Them No Mind
Verfasser(in):
Fred Ahlert, Richard Ahlert, Arthur Scott (Motown composer signed to Jobete Music Co) und Bobby Scott (vocals, piano, US musician & producer)
2.353:04
7I Love Your Lovin’ Ways
recording of:
I Love Your Lovin’ Ways
Verfasser(in):
Bennie Benjamin und Sol Marcus
2:29
8Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1965)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.352:27
9See-Line Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Produzent(in):
Hal Mooney
Klavier:
Nina Simone (in 1964)
vocals und conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
cover recording of:
See‐Line Woman (am 1964-03-21)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
2.752:37
10Break Down and Let It All Out
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
cover recording of:
Break Down and Let It All Out (am 1965-10-01)
Texter und Komponist(in):
Van McCoy
2.52:39
11This Year’s Kisses
cover recording of:
This Year’s Kisses
Texter und Komponist(in):
Irving Berlin
3.652:59
12Ne me quitte pas (If You Go Away)
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:37
13Mississippi Goddam
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
membranophone und Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
Hintergrundgesang:
Lisle Atkinson (am 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04) und Rudy Stevenson (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4.654:47
14Take Me to the Water
Klavier:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Nina Simone
recording of:
Take Me to the Water (in 1966-08)
Verfasser(in):
[traditional] (special purpose artist), Koos Versteeg und Henk Westendorp
2.652:52
15Work Song
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1966)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
3.253:07
16I Hold No Grudge
recording of:
I Hold No Grudge (in 1966)
Verfasser(in):
Angelo Badalamenti (American score composer) und John W. Clifford
2.652:21
17I’m Going Back Home
Klavier:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
I’m Going Back Home (in 1966-08)
Verfasser(in):
Rudy Stevenson
32:50
18Sinnerman
Produzent(in):
Hal Mooney
cover recording of:
Sinnerman (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Oh Sinner Man (Bob Gibson's version)
4.510:20
2▼CD
Nr.TitelBewertungLänge
1I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.252:37
2Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:47
3I Loves You Porgy
flute:
Rudy Stevenson
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Perkussion:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1964-03-21)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:29
4Don’t Explain
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
34:20
5The Other Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:04
6What More Can I Say
Produzent(in):
Hal Mooney
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
What More Can I Say (am 1965-10-01)
Verfasser(in):
Wade Brown Jr. und Horace Ott
32:51
7Night Song
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from “Golden Boy”) (in 1964)
Texter:
Lee Adams (US musical theatre lyricist & librettist)
Komponist(in):
Charles Strouse
Librettist:
William Gibson (playwright) und Clifford Odets (US playwright)
Teil von:
Golden Boy (The Musical)
33:06
8Black Is the Color of My True Love’s Hair
Produzent(in):
Hal Mooney
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (am 1964-04-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
33:28
9Keeper of the Flame
recording of:
Keeper of the Flame
Verfasser(in):
Charles Anthony Derringer
2.53:23
10Strange Fruit
Produzent(in):
Hal Mooney
cover recording of:
Strange Fruit (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3.653:31
11Don’t Smoke in Bed
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (am 1964-03-21)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
25:23
12Wild Is the Wind
Produzent(in):
Hal Mooney
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass und Perkussion:
Lisle Atkinson
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (am 1964-03-21)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
3.656:59
13Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:20
14One September Day
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
One September Day
Verfasser(in):
Rudy Stevenson
42:51
15Tell Me More and More and Then Some
Produzent(in):
Hal Mooney
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Billie Holiday
33:09
16Blues on Purpose
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Gitarre:
Rudy Stevenson (in 1964)
Klavier:
Nina Simone (in 1964)
recording of:
Blues on Purpose (in 1964)
Komponist(in):
Rudy Stevenson
43:16
17Take Care of Business
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
3.52:06
18Gimme Some
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
Verfasser(in):
Andy Stroud (former husband of Nina Simone.)
3.353:01
19Feeling Good (Joe Claussell remix) (radio edit)
remixer:
Joe Claussell
cover recording of:
Feeling Good
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
3:14
20See-Line Woman (Masters at Work remix)
Techniker(in):
Steven Barkan
Produzent(in):
Hal Mooney
zusätzliche(r) Produzent(in):
Kenny “Dope” Gonzalez und “Little” Louie Vega (US house DJ/producer)
Keyboard:
Selan Lerner
Klavier:
Nina Simone
vocals und conductor:
Nina Simone
remixer:
Kenny “Dope” Gonzalez, Masters at Work (Kenny “Dope” Gonzalez & “Little” Louie Vega) und “Little” Louie Vega (US house DJ/producer)
arranger:
Nina Simone
Remix von:
See‐Line Woman von Nina Simone
cover recording of:
See‐Line Woman
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
410:06

Nennungen

Veröffentlichung

sonstige Unterstützung:Dionne Clarke (product manager and compiler) (Aufgabe: product manager)
mastering:Keiron McGarry
illustration:Dan Kitchener (illustrator and visual artist)
urheberrechtlich geschützt (©) von:Universal Music Australia (see annotation before using)
phonographisches Urheberrecht (℗) von und vermarkted von:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution)
mastered at:Universal Digital Mastering in London (Greater London), England, Vereinigtes Königreich
Stamm-Pressung bei:Technicolor Australia in Mordialloc, City of Kingston, Victoria, Australien
Discogs:https://www.discogs.com/release/13486127 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/4368 [Info]