Late Night Moods

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Sunrise
tecnico di registrazione e tecnico di missaggio:
Jay Newland (producer, engineer and mixer)
supporto artisti & repertorio (A&R):
Chris Cofoni e Eli Wolf
assistente tecnico:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (sound engineer based in Austin, Texas, previously NYC) e Aya Takemura
produttore:
Norah Jones e Arif Mardin
direzione creativa:
Gordon H Jee
chitarra acustica e banjolino :
Kevin Breit (dal 2003 al 2004)
contrabbasso [bass] :
Lee Alexander (US bassist, songwriter & producer) (dal 2003 al 2004)
pianoforte e voce principale [vocal]:
Norah Jones (dal 2003 al 2004)
tamburo a fessura :
Andrew Borger (dal 2003 al 2004)
voce di accompagnamento [backup vocal]:
Adam Levy (jazz guitarist) (dal 2003 al 2004) e Daru Oda (dal 2003 al 2004)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (nel 2004)
registrata presso:
Allaire Studios, Shokan NY in Bearsville, New York, Stati Uniti, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti, Sear Sound in New York, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Sunrise (dal 2003 al 2004)
autore:
Lee Alexander (US bassist, songwriter & producer) e Norah Jones
dedicata a:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen e George Wyle
editore:
EMI Blackwood Music Inc., Fumblethumbs Music e Muthajones Music
Norah Jones3.853:22
2Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:05
3Nature Boy
produttore:
Lee Gillette
voce:
Nat King Cole (il 1961-03-27)
orchestra:
The Ralph Carmichael Orchestra and Chorus (il 1961-03-27)
direttore d'orchestra:
Ralph Carmichael (il 1961-03-27)
registrazione di:
Nature Boy (il 1961-03-27)
paroliere e compositore:
eden ahbez (nel 1947)
editore:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:55
4I Loves You Porgy
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:04
5Roxanne
registrazione cover di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
George Michael24:10
6The Closest Thing to Crazy
tecnico:
Steve Sale
produttore:
Mike Batt
voce principale:
Katie Melua
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
Dramatico Entertainment Ltd. (not release label) (nel 2003) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 2023)
registrazione di:
The Closest Thing to Crazy
paroliere e compositore:
Mike Batt
editore:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) e Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:14
7Don’t Let the Sun Catch You Crying
produttore:
Rick Jarrard
arrangiatore archi e arrangiatore legni :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Don’t Let the Sun Catch You Crying (il 1968-01-05)
paroliere:
Freddie Marsden
compositore:
Les Chadwick (bassist and occasional songwriter), Les Maguire (tenor sax player, pianist, keyboardist, vocalist) e Gerry Marsden
editore:
Dick James Music Co. Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Dick James Music, Inc. (USA, affiliated with BMI) (nel 1964)
José Feliciano2:55
8California Dreamin’
registrazione cover di:
California Dreamin’
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Womack3.653:22
9After the Love Has Gone
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:27
10Some Kind of Wonderful
diritti fonografici (℗) detenuti da:
EMI Music North America (not for release label use!) (nel 2003)
registrazione cover di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Joss Stone33:58
11For the Love of You
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
produttore associato:
Malcolm Cecil e Robert Margouleff
esecutore:
The Isley Brothers
arrangiatore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1975)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
For the Love of You
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc. e EMI April Music Inc.
The Isley Brothers5:36
12Be Thankful for What You’ve Got
produttore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974) e Frank Fioravanti (nel 1974)
arrangiatore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1974)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 374)
registrazione di:
Be Thankful for What You Got
paroliere e compositore:
William DeVaughn
editore:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:32
13How Can You Mend a Broken Heart?
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
registrazione cover di:
How Can You Mend a Broken Heart
scritta a:
Kensington, Kensington and Chelsea, London (Greater London), England, Regno Unito
autore:
Barry Gibb e Robin Gibb
editore:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:20
14Miss Riddle
esecutore:
Roy Hargrove
Boz Scaggs6:27
15As Time Goes By
assistente tecnico:
Steve Pelluet
tecnico:
Mark Tucker (engineer)
tecnico aggiunto:
Chris Dibble (engineer) e Sven Taits
produttore:
Rhett Davis (English record producer and engineer.) e Bryan Ferry
arpa :
Hugh Webb (harpist)
basso :
Richard Jeffries (Bassist)
batteria :
John Sutton (drums)
chitarra :
Nils Solberg
onde Martenot :
Cynthia Millar (English Ondes Martenot player)
pianoforte :
Colin Good
viola :
Philip Dukes (classical viola soloist)
violino :
Dave Woodcock (violinist) e Gavyn Wright (UK violinist, conductor)
violoncello :
Anthony Pleeth (cellist)
voce:
Bryan Ferry
arrangiatore:
Bryan Ferry e Colin Good
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (nel 1999)
registrata presso e mixata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione cover di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Bryan Ferry32:36
16One for My Baby
registrazione cover di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Robbie Williams4:10
17In My Room
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1963-07-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 209)
registrazione di:
In My Room (il 1963-07-16)
paroliere e compositore:
Gary Usher e Brian Wilson (Beach Boys co‐founder)
The Beach Boys32:13
18Cherry Blossom Girl
tecnico di registrazione aggiunto:
Nigel Godrich (English record producer)
produttore:
Air (French band)
assistente tecnico di missaggio:
Darrell Thorpe (record producer, mixer and engineer)
tecnico di missaggio:
Nigel Godrich (English record producer)
flauto :
Malik Mezzadri
voce aggiuntiva:
Jessica Banks
esecutore:
Air (French band)
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e Revolvair Studio in Paris, Île-de-France, Francia
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
prodotta presso:
Revolvair Studio in Paris, Île-de-France, Francia
registrazione di:
Cherry Blossom Girl
paroliere e compositore:
Jean-Benoît Dunckel e Nicolas Godin
Air3.73:42
19Soleil Soleil
Ilya4:23
20Everybody’s Talkin’
registrazione di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Fred Neil32:43
2▼CD
#TitoloArtistaValutazioneDurata
1Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
2My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker22:20
3In the Wee Small Hours of the Morning
registrazione cover di:
In the Wee Small Hours of the Morning
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Jamie Cullum6:30
4Come Live Your Life With Me
Peter Cincotti4:50
5Don’t Worry ’Bout Me
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1953-04-30)
direttore d'orchestra:
Nelson Riddle (il 1953-04-30)
arrangiatore:
Nelson Riddle
registrazione di:
Don’t Worry ’Bout Me (il 1953-04-30)
paroliere:
Ted Koehler (nel 1939)
autore:
Rube Bloom (American songwriter, pianist and vocalist) e Ted Koehler
compositore:
Rube Bloom (American songwriter, pianist and vocalist) (nel 1939)
editore:
Cinephonic Music Co., Ltd. e Redwood Music Ltd. (Carlin)
Frank Sinatra13:10
6Lover Man (Oh Where Can You Be)
Diana Ross3:44
7The Girl From Ipanema
Lou Rawls3:46
8Light My Fire
voce:
Minnie Riperton
voce ospite:
José Feliciano (born 1945, not Cheo Feliciano)
registrazione cover di:
Light My Fire (nel 1979)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
Minnie Riperton feat. José Feliciano5:06
9What You Won’t Do for Love
produttore:
Ann Holloway (producer/songwriter)
batteria :
Joe Galdo (US drummer & percussionist) e Ed Greene (drummer)
chitarra :
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) e Alfons Kettner
chitarra basso :
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") e Richie Valesquez (bassist)
sintetizzatore analogico :
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
tastiera :
Benny Latimore (US blues/R&B singer, songwriter and pianist) e Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
voce:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
arrangiatore archi e arrangiatore ottoni [horns] :
Mike Lewis (US composer, arranger and producer)
diritti fonografici (℗) detenuti da:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (nel 1978)
registrazione di:
What You Won’t Do for Love
autore:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) e Alfons Kettner
editore:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Bobby Caldwell3.44:46
10Rock Me Tonight (For Old Times Sake)
registrazione di:
Rock Me Tonight (For Old Times Sake)
paroliere e compositore:
Paul Laurence
Freddie Jackson4:06
11How Can I Put Out the Flame
Candi Staton3:13
12Inside My Love
tecnico di registrazione:
Gary Starr
tecnico:
Rik Pekkonen
produttore:
Stewart Levine (record producer and saxophonist), Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
archi :
Sid Sharp
arpa :
Dorothy Ashby
basso :
Eddie Brown (Bassist)
chitarra :
Larry Carlton, Dean Parks (American session guitarist) e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
corno e sassofono :
Jim Horn (saxophonist, hornist, flutist and oboist)
membranofono e percussione :
Jim Gordon (US drummer with Derek and the Dominos)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Joe Sample
voce principale:
Minnie Riperton
direttore d'orchestra:
Larry Carlton
arrangiatore:
Larry Carlton
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1975)
registrazione di:
Inside My Love
autore:
Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
editore:
Dickiebird Music Publising Co
Minnie Riperton4:40
13More Than This
esecutore:
Norah Jones
registrazione cover di:
More Than This
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Charlie Hunter feat. Norah Jones4:10
14A Taste of Honey
voce:
Peggy Lee (jazz vocalist) (il 1963-01-03)
registrazione cover di:
A Taste of Honey (il 1963-01-03)
paroliere:
Ric Marlow (nel 1960)
compositore:
Bobby Scott (vocals, piano, US musician & producer) (nel 1960)
editore:
Ambassador Music Ltd. e Songfest Music Corp.
Peggy Lee2:20
15What a Wonderful World
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
tecnico:
Tom Young (engineer)
produttore:
T‐Bone Burnett (musician, songwriter and producer)
produttore esecutivo:
Danny Bennett
basso :
Paul Langosch
chitarra :
Gray Sargent
membranofono :
Clayton Cameron
voce:
Tony Bennett (US jazz/standards vocalist) e k.d. lang
esecutore:
k.d. lang
arrangiatore voci:
Rob Mathes
registrazione cover di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Tony Bennett feat. k.d. lang3:22
16Time After Time
tecnico di registrazione:
Danny Kopelson (dal 1998-05 al 1998-09)
bouzouki e chitarra elettrica :
Kevin Breit (dal 1998-05 al 1998-09)
chitarra acustica :
Marvin Sewell (dal 1998-05 al 1998-09)
contrabbasso :
Lonnie Plaxico (dal 1998-05 al 1998-09)
percussione :
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (dal 1998-05 al 1998-09)
voce:
Cassandra Wilson (dal 1998-05 al 1998-09)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1998-05 al 1998-09)
registrazione cover di:
Time After Time (dal 1998-05 al 1998-09)
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:08
17Love at First Sight
voce principale:
Michael Bublé (nel 2001)
registrazione di:
Love at First Sight
autore:
Andrew Van Slee
Michael Bublé2.53:20
18All Night Long
produttore:
Pete Welding (US producer and engineer)
basso :
Ralph Peña (dal 1960-06-29 al 1961-01-07)
batteria :
Vernell Fournier (jazz drummer) (dal 1960-06-29 al 1961-01-07)
chitarra :
Dick Garcia (dal 1960-06-29 al 1961-01-07)
pianoforte :
George Shearing (British jazz pianist) (dal 1960-06-29 al 1961-01-07)
vibrafono :
Warren Chiasson (dal 1960-06-29 al 1961-01-07)
voce:
Nancy Wilson (jazz/blues/soul singer) (dal 1960-06-29 al 1961-01-07)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1960-06-29 al 1961-01-07)
registrazione cover di:
All Night Long (dal 1960-06-29 al 1961-01-07)
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
The George Shearing Quintet feat. Nancy Wilson3:07
19Travelin’ Light
registrazione di:
Travelin’ Light
paroliere:
Johnny Mercer
compositore:
Jimmy Mundy e Trummy Young
Billie Holiday feat. The Paul Whiteman Orchestra3:10
20In the Still of the Night
registrazione cover di:
In the Still of the Night (Cole Porter song) (dal 2002-03-25 al 2002-03-30)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
Clare Teal5:07