| # | Title | Artist | Rating | Length |
|---|
| 1 | Dido and Aeneas, opera in three acts: Overture | Henry Purcell | | 2:02 |
| 2 | Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus) | Henry Purcell | | 1:03 |
| 3 | Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido) | Henry Purcell | | 3:56 |
| 4 | Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)- producer:
- Michel Garcin
- choir vocals:
- Chœur duThéâtre Municipal de Lausanne (from 1985-11-18 until 1985-11-22)
- soprano vocals [Belinda]:
- Danielle Borst (from 1985-11-18 until 1985-11-22)
- soprano vocals [Dido]:
- Teresa Berganza (from 1985-11-18 until 1985-11-22)
- orchestra:
- Ensemble Instrumental de Lausanne (from 1985-11-18 until 1985-11-22)
- conductor:
- Michel Corboz (from 1985-11-18 until 1985-11-22)
- chorus master:
- René Falquet (from 1985-11-18 until 1985-11-22)
- balance engineer:
- Yolanta Skura
- recorded at:
- Grande Salle d'Épilanges in Switzerland (from 1985-11-18 until 1985-11-22)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
- recording of:
- Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
- recording of:
- Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 2:54 |
| 5 | Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus) | Henry Purcell | | 1:40 |
| 6 | Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus) | Henry Purcell | | 1:41 |
| 7 | Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)- producer:
- Michel Garcin
- choir vocals:
- Chœur duThéâtre Municipal de Lausanne (from 1985-11-18 until 1985-11-22)
- soprano vocals [Belinda]:
- Danielle Borst (from 1985-11-18 until 1985-11-22)
- tenor vocals [Aeneas]:
- Per-Arne Wahlgren (from 1985-11-18 until 1985-11-22)
- orchestra:
- Ensemble Instrumental de Lausanne (from 1985-11-18 until 1985-11-22)
- conductor:
- Michel Corboz (from 1985-11-18 until 1985-11-22)
- chorus master:
- René Falquet (from 1985-11-18 until 1985-11-22)
- balance engineer:
- Yolanta Skura
- recorded at:
- Grande Salle d'Épilanges in Switzerland (from 1985-11-18 until 1985-11-22)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
- recording of:
- Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
- recording of:
- Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 2:31 |
| 8 | Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance | Henry Purcell | | 1:15 |
| 9 | Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus) | Henry Purcell | | 2:29 |
| 10 | Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)- producer:
- Michel Garcin
- choir vocals:
- Chœur duThéâtre Municipal de Lausanne (from 1985-11-18 until 1985-11-22)
- mezzo-soprano vocals [First Witch]:
- Tiziana Sojat (from 1985-11-18 until 1985-11-22)
- mezzo-soprano vocals [Second Witch]:
- Alexandra Papadjiakou (from 1985-11-18 until 1985-11-22)
- mezzo-soprano vocals [Sorceress]:
- Glenys Linos (from 1985-11-18 until 1985-11-22)
- orchestra:
- Ensemble Instrumental de Lausanne (from 1985-11-18 until 1985-11-22)
- conductor:
- Michel Corboz (from 1985-11-18 until 1985-11-22)
- chorus master:
- René Falquet (from 1985-11-18 until 1985-11-22)
- balance engineer:
- Yolanta Skura
- recorded at:
- Grande Salle d'Épilanges in Switzerland (from 1985-11-18 until 1985-11-22)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1985-11-18 until 1985-11-22)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 3:27 |
| 11 | Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies | Henry Purcell | | 2:07 |
| 12 | Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus) | Henry Purcell | | 2:17 |
| 13 | Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman) | Henry Purcell | | 2:25 |
| 14 | Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus) | Henry Purcell | | 1:34 |
| 15 | Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas) | Henry Purcell | | 2:45 |
| 16 | Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance | Henry Purcell | | 2:31 |
| 17 | Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress) | Henry Purcell | | 1:51 |
| 18 | Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus) | Henry Purcell | | 0:43 |
| 19 | Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance | Henry Purcell | | 1:16 |
| 20 | Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus) | Henry Purcell | | 5:46 |
| 21 | Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido) | Henry Purcell | | 0:55 |
| 22 | Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido) | Henry Purcell | | 3:22 |
| 23 | Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus) | Henry Purcell | | 4:58 |
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