The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▼CD: Bach: Cantatas I
#TitleArtistRatingLength
1“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach8:09
2“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
soprano vocals:
Uta Spreckelsen (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:52
3“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
soprano vocals:
Uta Spreckelsen (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:57
4“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
alto vocals:
Naoko Ihara (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:02
5“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
alto vocals:
Naoko Ihara (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:18
6“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
tenor vocals:
John Elwes (tenor) (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:12
7“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:21
8“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
tenor vocals:
John Elwes (tenor) (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:12
9“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
bass vocals:
Philippe Huttenlocher (baritone) (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:41
10“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-10-03 until 1976-10-04)
flute:
Marianne Clement (classical flautist) (from 1976-10-03 until 1976-10-04) and Pierre Wavre (from 1976-10-03 until 1976-10-04)
harpsichord:
François Delor (organist) (from 1976-10-03 until 1976-10-04)
lute:
Matthias Spaeter (from 1976-10-03 until 1976-10-04) and Jean-Paul Visard (lutenist) (from 1976-10-03 until 1976-10-04)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-10-03 until 1976-10-04)
organ:
Philippe Corboz (from 1976-10-03 until 1976-10-04) and François Delor (organist) (from 1976-10-03 until 1976-10-04)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-10-03 until 1976-10-04) and Françoise Winzap (viola da gamba player) (from 1976-10-03 until 1976-10-04)
violin:
Jean Piguet (from 1976-10-03 until 1976-10-04)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-03 until 1976-10-04)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-10-03 until 1976-10-04)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-03 until 1976-10-04)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-10-03 until 1976-10-04)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (from 1976-10-03 until 1976-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:26
11“Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-12-08 until 1976-12-09)
flute:
Marianne Clement (classical flautist) (from 1976-12-08 until 1976-12-09) and Pierre Wavre (from 1976-12-08 until 1976-12-09)
harpsichord:
François Delor (organist) (from 1976-12-08 until 1976-12-09)
lute:
Matthias Spaeter (from 1976-12-08 until 1976-12-09) and Jean-Paul Visard (lutenist) (from 1976-12-08 until 1976-12-09)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-12-08 until 1976-12-09)
organ:
Philippe Corboz (from 1976-12-08 until 1976-12-09) and François Delor (organist) (from 1976-12-08 until 1976-12-09)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-12-08 until 1976-12-09) and Françoise Winzap (viola da gamba player) (from 1976-12-08 until 1976-12-09)
violin:
Jean Piguet (from 1976-12-08 until 1976-12-09)
bass vocals:
Philippe Huttenlocher (baritone) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Christiane Baumann (soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-12-08 until 1976-12-09)
conductor:
Michel Corboz (conductor and composer) (from 1976-12-08 until 1976-12-09)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-12-08 until 1976-12-09)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions) (from 1976-12-08 until 1976-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach4:15
12“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-12-08 until 1976-12-09)
flute:
Marianne Clement (classical flautist) (from 1976-12-08 until 1976-12-09) and Pierre Wavre (from 1976-12-08 until 1976-12-09)
harpsichord:
François Delor (organist) (from 1976-12-08 until 1976-12-09)
lute:
Matthias Spaeter (from 1976-12-08 until 1976-12-09) and Jean-Paul Visard (lutenist) (from 1976-12-08 until 1976-12-09)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-12-08 until 1976-12-09)
organ:
Philippe Corboz (from 1976-12-08 until 1976-12-09) and François Delor (organist) (from 1976-12-08 until 1976-12-09)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-12-08 until 1976-12-09) and Françoise Winzap (viola da gamba player) (from 1976-12-08 until 1976-12-09)
violin:
Jean Piguet (from 1976-12-08 until 1976-12-09)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-12-08 until 1976-12-09)
conductor:
Michel Corboz (conductor and composer) (from 1976-12-08 until 1976-12-09)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-12-08 until 1976-12-09)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (catch-all for unknown versions) (from 1976-12-08 until 1976-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:39
13“Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-12-08 until 1976-12-09)
flute:
Marianne Clement (classical flautist) (from 1976-12-08 until 1976-12-09) and Pierre Wavre (from 1976-12-08 until 1976-12-09)
harpsichord:
François Delor (organist) (from 1976-12-08 until 1976-12-09)
lute:
Matthias Spaeter (from 1976-12-08 until 1976-12-09) and Jean-Paul Visard (lutenist) (from 1976-12-08 until 1976-12-09)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-12-08 until 1976-12-09)
organ:
Philippe Corboz (from 1976-12-08 until 1976-12-09) and François Delor (organist) (from 1976-12-08 until 1976-12-09)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-12-08 until 1976-12-09) and Françoise Winzap (viola da gamba player) (from 1976-12-08 until 1976-12-09)
violin:
Jean Piguet (from 1976-12-08 until 1976-12-09)
soprano vocals:
Christiane Baumann (soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-12-08 until 1976-12-09)
conductor:
Michel Corboz (conductor and composer) (from 1976-12-08 until 1976-12-09)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-12-08 until 1976-12-09)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (from 1976-12-08 until 1976-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach4:55
14“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-12-08 until 1976-12-09)
flute:
Marianne Clement (classical flautist) (from 1976-12-08 until 1976-12-09) and Pierre Wavre (from 1976-12-08 until 1976-12-09)
harpsichord:
François Delor (organist) (from 1976-12-08 until 1976-12-09)
lute:
Matthias Spaeter (from 1976-12-08 until 1976-12-09) and Jean-Paul Visard (lutenist) (from 1976-12-08 until 1976-12-09)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-12-08 until 1976-12-09)
organ:
Philippe Corboz (from 1976-12-08 until 1976-12-09) and François Delor (organist) (from 1976-12-08 until 1976-12-09)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-12-08 until 1976-12-09) and Françoise Winzap (viola da gamba player) (from 1976-12-08 until 1976-12-09)
violin:
Jean Piguet (from 1976-12-08 until 1976-12-09)
soprano vocals:
Christiane Baumann (soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-12-08 until 1976-12-09)
conductor:
Michel Corboz (conductor and composer) (from 1976-12-08 until 1976-12-09)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-12-08 until 1976-12-09)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (catch-all for unknown versions) (from 1976-12-08 until 1976-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:17
15“Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”
producer:
Michel Garcin (French producer)
cello:
Maria José Falção (cellist) (from 1976-12-08 until 1976-12-09)
flute:
Marianne Clement (classical flautist) (from 1976-12-08 until 1976-12-09) and Pierre Wavre (from 1976-12-08 until 1976-12-09)
harpsichord:
François Delor (organist) (from 1976-12-08 until 1976-12-09)
lute:
Matthias Spaeter (from 1976-12-08 until 1976-12-09) and Jean-Paul Visard (lutenist) (from 1976-12-08 until 1976-12-09)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1976-12-08 until 1976-12-09)
organ:
Philippe Corboz (from 1976-12-08 until 1976-12-09) and François Delor (organist) (from 1976-12-08 until 1976-12-09)
viola da gamba:
Philippe Mermoud (cellist) (from 1976-12-08 until 1976-12-09) and Françoise Winzap (viola da gamba player) (from 1976-12-08 until 1976-12-09)
violin:
Jean Piguet (from 1976-12-08 until 1976-12-09)
bass vocals:
Philippe Huttenlocher (baritone) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Christiane Baumann (soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1976-12-08 until 1976-12-09)
conductor:
Michel Corboz (conductor and composer) (from 1976-12-08 until 1976-12-09)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud (Canton of Vaud), Switzerland (from 1976-12-08 until 1976-12-09)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (catch-all for unknown versions) (from 1976-12-08 until 1976-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Behm (in 1610)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach2:29
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)